Dein Suchergebnis zum Thema: Souvenir
Roman Mold-Blown Glass – The Metropolitan Museum of Art https://www.metmuseum.org/essays/roman-mold-blown-glass
The invention of glassblowing led to an enormous increase in the range of shapes and designs that glassworkers could produce, and the mold-blowing process soon developed as an offshoot of free-blowing.
products, such as the popular sports cups ( 81.10.245), may even be regarded as souvenir
Vincenc Kramář – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/kramar
Vysoké nad Jizerou, Czech Republic, 1877–Prague, 1960
Moderne Galerie in Munich in 1913, Kramář purchased Violin, Glass, Pipe and Anchor: Souvenir
Jan van Eyck (ca. 1390–1441) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/jan-van-eyck-ca-1390-1441
[Van Eyck] frequently aimed to deceive the eye and amaze the viewer with his sheer artistry …
portrait at the lower edge: Van Eyck had used this device earlier in his portrait Leal Souvenir
Floridas: Anastasia Samoylova and Walker Evans – The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/floridas-anastasia-samoylova-and-walker-evans/exhibition-objects
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
1941 [Palm Tree on Beach, Florida] Walker Evans 1941 [Fruit in Baskets outside Souvenir
Josep Dalmau – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/dalmau
Manresa, Spain, 1867–Barcelona, 1937
drawing is noted as sold (although the artist gifted Dalmau one of his drawings “as a souvenir
Relics and Reliquaries in Medieval Christianity – The Metropolitan Museum of Art https://www.metmuseum.org/essays/relics-and-reliquaries-in-medieval-christianity
All relics bestowed honor and privileges upon the possessor, and monasteries and cathedrals sought to hold the most prestigious. Some relics were even stolen from one church, only to find a new home in another.
The faithful of humble means might still acquire a souvenir badge at the shrines
Camille Corot – Hagar in the Wilderness – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435962
„Le Souvenir recomposé: réflexions autour du thème du ‚souvenir‚ dans l’Å“uvre
All Publications – The Metropolitan Museum of Art https://www.metmuseum.org/met-publications/all?departments=medieval-art-and-the-cloisters
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
„Icon, Contact Relic, Souvenir: The Virgin Eleousa Micromosaic Icon at The Met“
French (Fontainebleau) Painter – The Nymph of Fontainebleau – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436410
Inscription: Inscribed: (bottom) O PHIDIAS O APELLES QVIDQVAM NE ORNATIVS VESTRIS TEMPORIBVS EXCOGITARI POTVIT EA SCVLPTVRA CVIVS HIC PICTVRAM CERNITIS QVAM / FRANCISCVS PRIMVS FRANCORVM REX POTENTISS BONARVM ARTIVM AC LITERARVM PATER SVB DIANÆ A VENATV COQVIESCETIS / ATQVE VRNAM FONTISBELLAQVÆ EFFVNDENTIS STATVA DOMI SVÆ INCHOATAM RELIQVIT– (O Phidias, O Apelles, could anything more excellent have been devised in your times than that sculpture, of which you see here a picture, that Francis I, king of the Franks, the most mighty father of fine arts and literature, left unfinished in his home, surrounding a figure of Diana resting from the chase and emptying the urn of the Fountain of Beautiful Water); (below central medallion) F with a crown encircling the stem, within a wreath (this and the flaming salamander above the central medallion are devices of Francis I)
„A Souvenir of Fountainebleau.“