Dein Suchergebnis zum Thema: Schiff

Pietro Lorenzetti of Siena painted me in 1340 . This inscription is the signature of the Sienese painter Pietro Lorenzetti , which survives on a fragment of the original frame (now incorporated in a modern support and located beneath the image of Madonna and Child ).
Medium tempera on panel transferred to canvas Credit Line Gift of Frieda Schiff

Artwork overview Medium tempera on poplar panel Credit Line Gift of Frieda Schiff

Artists have imagined angels as divine winged figures, painting them in Christian scenes since the Byzantine period. We see angels delivering messages, floating in space, and playing music.
left panel], probably 1340, tempera on panel transferred to canvas, Gift of Frieda Schiff

Fuseli, a native of Switzerland, began his career in England as a history painter. He developed an expressionistic style composed of a unique blend of influences—German romanticism, the monumental vision of Michelangelo, and the physical and psychological exaggerations of the 16th–century Italian mannerists.
Arts Committee Bulletin 8 (1959-1960): 21, 22, 23, 35 (appendix 1, no. 6). 1977 Schiff

The National Gallery of Art has evolved through a unique partnership between the federal government of the United States and the American people. In one of the largest single gifts ever given to a government by a private citizen, Andrew W. Mellon donated his collection to the nation and built a splendid gallery to house it.
Paul Mellon Ailsa Mellon Bruce Rush Harrison Kress Benefactors – Panel 2 Frieda Schiff

Painted in August 1907, Forty-two Kids depicts a band of nude and partially clothed boys engaged in a variety of antics—swimming, diving, sunbathing, smoking, and possibly urinating—on and near a dilapidated wharf jutting out over New York City’s East River. A sharp observer of urban life, George Bellows has sketched his streetwise subjects with characteristic vigor and economy of means, and he has carefully rendered their varied ethnic backgrounds.
Schiff, Bennett. „The Boy Who Chose the Brush over Baseball.“

Washington, 1983: 29. 1985 Ebert-Schifferer, Sibylle, ed.

Ambrosius Bosschaert was a pioneer in the history of Dutch still lifes and a painter of joyful flower bouquets. He had an unerring awareness of composition, and delighted in combining flowers with a wide variety of colors and shapes to create a pleasing and uplifting visual experience.
National Gallery of Art, Washington, 2000: 26-27, color repro. 2002 Ebert-Schifferer

Ebert-Schifferer, Sybille, ed.

The Dutch and Flemish took extraordinary delight in depictions of the natural world as an expression of God’s everlasting blessing. The flower paintings of Jan Davidsz de Heem celebrate the beauty of flora while at the same time exemplifying the concept of Ars longa, vita brevis (art is long, life is short) embodied in the Dutch still-life paintings of the seventeenth century.
National Gallery of Art, Washington, 1999: 61-63, no. 16, fig. 55. 2002 Ebert-Schifferer