Dein Suchergebnis zum Thema: Roman

The Baptism of Christ by Nicolas Poussin

https://www.nga.gov/artworks/32692-baptism-christ

Although Nicolas Poussin’s work exerted an enormous influence on the development of French seventeenth-century painting, the artist perfected his style in Rome, incorporating the lessons of Renaissance and contemporary Italian painters into his own idiom. Poussin’s Baptism of Christ is one of a series of canvases illustrating the Seven Sacraments executed from 1638-1642 for his friend and patron Cassiano dal Pozzo.
which this painting was a part, hung in the main room of Cassiano’s 16th century Roman

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„Who Is Sylvia? What Is She, That All the Swains Commend Her?“ by Edwin Austin Abbey

https://www.nga.gov/artworks/177906-who-sylvia-what-she-all-swains-commend-her

Fascination with the life and times of William Shakespeare abounded in the Victorian world, especially in London, where American artist Edwin Austin Abbey settled permanently in 1883. The Bard’s writings provided lifelong inspiration for Abbey:
Art Institute of Chicago, 22 October – 1 December 1907, no. 1, as Sylvia. 1911 Roman

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Lady Elizabeth Delmé and Her Children by Sir Joshua Reynolds

https://www.nga.gov/artworks/102-lady-elizabeth-delme-and-her-children

Reynolds sought to elevate British painting, including portraiture, to the lofty realms of classical expression. After traveling to Rome, Florence, Bologna, and Venice, Reynolds became the first president of the Royal Academy, which had been founded in 1768.
Discourses, he urged the adoption of grand classical values and the study of Greek and Roman

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The Lone Tenement by George Bellows

https://www.nga.gov/artworks/46558-lone-tenement

Like many American artists of his generation, George Bellows was interested in the various urban construction projects that transformed New York City into an ultramodern metropolis. By the time he commenced work on The Lone Tenement in December 1909, he had completed four paintings devoted to the excavation site of the new Pennsylvania Station, culminating in the Gallery’s Blue Morning (painted in March 1909).
Collection of Pictures and Sculpture in the Pavilion of the United States of America, Roman

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Pietro Lorenzetti | National Gallery of Art

https://www.nga.gov/artists/1492-pietro-lorenzetti

The art historical literature generally asserts that the great Sienese painter cited in a document of 1320 as “Petrus quondam Lorenzetti � and who signed himself as “Petrus Laurentii� is to be identified with the Petruccio di Lorenzo paid in 1306 for a panel, now lost, painted for the Sienese government. If that is the case, then his date of birth is unlikely to have been any later than 1280.[1] The prestigious commission presupposes, in fact, that he must have been a well-established artist by this date.
execution, was replaced in the nineteenth century by another bearing a date in Roman

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