Dein Suchergebnis zum Thema: Roman

The Temple of Dendur – Roman Period – The Metropolitan Museum of Art

https://www.metmuseum.org/ar/art/collection/search/547802

HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia
Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman

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Pacetti, Vincenzo – Statue of Dionysos leaning on a female figure („Hope Dionysos“) – Roman

https://www.metmuseum.org/art/collection/search/255973

Until 1796, collection of the Aldobrandini family, Aldobrandini Palace, Rome; 1796, purchased by Vicenzo Pacetti from the Aldobrandini family; 1796, acquired by Henry Philip Hope from Vicenzo Pacetti; 1796-1917, the Hope collection, displayed at the Duchess Street mansion, London and (after 1835) at Deepdene House, Dorking, Surrey, England (both residences of Thomas Hope, elder brother of Henry P
Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman

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of a marble statue of the Diadoumenos (youth tying a fillet around his head) – Roman

https://www.metmuseum.org/art/collection/search/251838

Richter, Gisela M. A. 1933. „A Statue of the Diadoumenos.“ Bulletin of the Metropolitan Museum of Art, 28(12): pp. 214–16, figs. 1–3.Metropolitan Museum of Art. 1936[1934]. A Guide to the Collections, Part 1: Ancient and Oriental Art, 2nd edn
Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman

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Giovanni Benedetto Castiglione (Il Grechetto) – Roman Landscape with a Shepherd and

https://www.metmuseum.org/art/collection/search/816621

The Artist: Castiglione’s artistic sensibility was deeply impacted by Flemish painters active in Genoa, the Italian port city where he was born in 1609. Peter Paul Rubens (1577–1640) worked in Genoa around 1606 and Anthony van Dyck (1599–1641) arrived in 1621, opening a studio that Castiglione quickly joined
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