Meintest du rosa?
It might be said that with paintings like this one, Annibale Carracci invented the landscape as a subject for Italian baroque painting. Nature here is appreciated first and foremost for herself and not as the backdrop for a story.
Viaggio per Roma nel Seicento con Giovan Pietro Bellori, Palazzo delle Esposizioni
Università degli studi di Roma “La Sapienza,“ 1992: 389 as Workshop of Botticelli
Around 1616 Peter Paul Rubens engaged in a large tapestries series project about the heroic Roman consul Decius Mus. This panel, which is a small sketch or modello for the larger composition, depicted the first episode of that story, which normally consisted of seven or eight scenes.
Lille, 2004, no. 150, repro. 2023 Il tocco di Pigmalione: Rubens e la scultura a Roma
“Pinturicchio e i suoi: dalla Roma dei Borgia alla Siena dei Piccolomini e dei Petrucci
One of the earliest Italian group portraits, this painting depicts Cardinal Bandinello Sauli and three companions gathered around a table covered with a Turkish carpet. Set within a narrow space closed off by a rich green wall hanging, the figures appear to have been discussing the geography manuscript lying open before them.
Un pittore musico tra Venezia e Roma (1501-1511).
„Velázquez en Roma.“
Watch inspiring stories about art and creativity.
Brings John Singer Sargent’s Painting “Spanish Roma Dancer” to Life A.I. technology
The people and animals in this colorful procession are on their way to see the infant Jesus and honor his birth. The procession winds around a hill, under an ancient arch, and to the manger.
Benozzo Gozzoli allievo a Roma, maestro in Umbria. Exh. cat.
This painting and the Enthroned Madonna and Child are the oldest paintings on the National Gallery of Art’s walls.
„Una Madonna tardoduecentesca tra Roma e Assisi.“ in Arte d’Occidente: temi e metodi
The composition of this Virgin and Child is loosely based on the Hodegetria , one of the more powerful and enduring icon types of the Orthodox Christian church. The Virgin gestures toward the child to show him as the “way” ( hodos in Greek), the source of salvation.
„Una Madonna tardoduecentesca tra Roma e Assisi.“ in Arte d’Occidente: temi e metodi
