Dein Suchergebnis zum Thema: Roma

1968) Imaginative Literature and Painting Mario Praz, Università degli Studi di Roma

Inscriptions lightly incised on shell between figure’s legs: CD [or (A)] / CARPEAUX / ROMA

the Sixteenth Century 2010–2011 Claudia Cieri Via, Università degli Studi di Roma

Pietro Bembo (1470–1547) wears the red biretta and cape of a cardinal. At the time Titian painted this portrait, Bembo had recently been elevated to that status in honor of his service to the Church and his scholarly career, although the writer’s literary output was almost entirely secular.
pittura italiana, studi storico-critici: le Gallerie Borghese e Doria-Pamphi in Roma

and unnumbered. 1983 Honoré Daumier; Georges Roualt, Accademia di Francia a Roma

Between 1600 and 1608, Peter Paul Rubens lived and worked in Italy, where he immersed himself in the study of ancient sculpture. He admired the idealized beauty of its classical forms and recognized its importance as a pictorial source for Greek and Roman history.
2018-2019, no. 7, repro. 2023 Il tocco di Pigmalione: Rubens e la scultura a Roma

Luca Signorelli e Roma. Oblio e riscoperte. Exh. cat.

Peter was invited to speak at the Palazzo Braschi on the occasion of the exhibition Roma

In her youth, Georgia O’Keeffe had been particularly fascinated by the jack-in-the-pulpit. In 1930, she executed a series of six paintings of the common North American herbaceous flowering plant at Lake George in New York.
2009-2010, unnumbered catalogue, pl. 120. 2011 Georgia O’Keeffe, Fondazione Roma

It might be said that with paintings like this one, Annibale Carracci invented the landscape as a subject for Italian baroque painting. Nature here is appreciated first and foremost for herself and not as the backdrop for a story.
Viaggio per Roma nel Seicento con Giovan Pietro Bellori, Palazzo delle Esposizioni