Meintest du rosa?
It might be said that with paintings like this one, Annibale Carracci invented the landscape as a subject for Italian baroque painting. Nature here is appreciated first and foremost for herself and not as the backdrop for a story.
Viaggio per Roma nel Seicento con Giovan Pietro Bellori, Palazzo delle Esposizioni
Università degli studi di Roma “La Sapienza,“ 1992: 389 as Workshop of Botticelli
One of the earliest Italian group portraits, this painting depicts Cardinal Bandinello Sauli and three companions gathered around a table covered with a Turkish carpet. Set within a narrow space closed off by a rich green wall hanging, the figures appear to have been discussing the geography manuscript lying open before them.
Un pittore musico tra Venezia e Roma (1501-1511).
With one hand resting on a baton and the other on the hilt of his sword, the sitter turns and looks down at the viewer, his haughty expression consistent with the proud swagger of his pose. As he stands before an evening sky and extensive landscape with a distant view of the bay of Genoa, light glints off his armor and deep-red sashes, draped gracefully across his body and tied to his arm, enhance his bravura.
Nota delli musei, librerie, gallerie et ornamenti di statue e pitture (…) di Roma
„Velázquez en Roma.“
Rev.ma et Ill.ma saperà come il Vescovo di Brescia si va preparando al ritorno di Roma
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Brings John Singer Sargent’s Painting “Spanish Roma Dancer� to Life A.I.
The people and animals in this colorful procession are on their way to see the infant Jesus and honor his birth. The procession winds around a hill, under an ancient arch, and to the manger.
Benozzo Gozzoli allievo a Roma, maestro in Umbria. Exh. cat.
The composition of this Virgin and Child is loosely based on the Hodegetria , one of the more powerful and enduring icon types of the Orthodox Christian church. The Virgin gestures toward the child to show him as the “way� ( hodos in Greek), the source of salvation.
„Una Madonna tardoduecentesca tra Roma e Assisi.“ in Arte d’Occidente: temi e metodi
This painting and the Enthroned Madonna and Child are the oldest paintings on the National Gallery of Art’s walls.
„Una Madonna tardoduecentesca tra Roma e Assisi.“ in Arte d’Occidente: temi e metodi
