Meintest du rosa?
Robert a Roma (Rome, 1990), 21 – 30.
1968) Imaginative Literature and Painting Mario Praz, Università degli Studi di Roma
Inscriptions lightly incised on shell between figure’s legs: CD [or (A)] / CARPEAUX / ROMA
Fumagalli, Elena. “Sul collezionismo di dipinti ferraresi a Roma nel Seicento:
the Sixteenth Century 2010–2011 Claudia Cieri Via, Università degli Studi di Roma
Pietro Bembo (1470–1547) wears the red biretta and cape of a cardinal. At the time Titian painted this portrait, Bembo had recently been elevated to that status in honor of his service to the Church and his scholarly career, although the writer’s literary output was almost entirely secular.
pittura italiana, studi storico-critici: le Gallerie Borghese e Doria-Pamphi in Roma
and unnumbered. 1983 Honoré Daumier; Georges Roualt, Accademia di Francia a Roma
Between 1600 and 1608, Peter Paul Rubens lived and worked in Italy, where he immersed himself in the study of ancient sculpture. He admired the idealized beauty of its classical forms and recognized its importance as a pictorial source for Greek and Roman history.
2018-2019, no. 7, repro. 2023 Il tocco di Pigmalione: Rubens e la scultura a Roma
In her youth, Georgia O’Keeffe had been particularly fascinated by the jack-in-the-pulpit. In 1930, she executed a series of six paintings of the common North American herbaceous flowering plant at Lake George in New York.
2009-2010, unnumbered catalogue, pl. 120. 2011 Georgia O’Keeffe, Fondazione Roma
Luca Signorelli e Roma. Oblio e riscoperte. Exh. cat.
