Hunting in the Pontine Marshes by Horace Vernet https://www.nga.gov/artworks/70970-hunting-pontine-marshes
Vernet / Rome 1833 [or Roma?]
Meintest du rosa?
Vernet / Rome 1833 [or Roma?]
The Palestinian-American poet is inspired by „Falling Man“ by Max Beckmann, her mother’s teacher.
guest curator at the Mead Art Museum of Amherst College responds to Modigliani’s "Roma
Author and art historian Katy Hessel tells the story of these Great Women Artists.
, National Academy of San Luca, Rome, Italy © Accademia Nazionale di San Luca, Roma
Artists turn to the color blue to conjure depth, mood, and atmosphere. It recalls both the sky and the sea. But blue pigment was sometimes costly. Ultramarine blue was made from lapis lazuli, a semiprecious stone mined in what is now Afghanistan. For centuries of Western art, it was reserved solely for painting the Virgin Mary’s cloak.Â
guest curator at the Mead Art Museum of Amherst College responds to Modigliani’s "Roma
Accademia di San Luca, c. 1590–1635: Documents from the Archivio di Stato di Roma
This panel, along with The Birth, Naming, and Circumcision of Saint John the Baptist , and Madonna and Child with Five Angels were once part of the same altarpiece devoted to Saint John the Baptist (see Reconstruction ). The altarpiece’s original location is not known, though it was probably featured in a church dedicated to the saint in what is today the northern Italian region of Emilia-Romagna, close to Giovanni Baronzio ’s home in Rimini.
Battista� in the Sterbini collection, while Adolfo Venturi (La Galleria Sterbini in Roma
etching of the bridge [fig4] was executed in the mid-1750s as part of his Vedute di Roma
Robert a Roma (Rome, 1990), 21 – 30.
Fumagalli, Elena. “Sul collezionismo di dipinti ferraresi a Roma nel Seicento:
Advanced Study in the Visual Arts in association with the Archivio di Stato di Roma