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The library’s image collections includes rare materials, such as photographic albums, photographs of artists, and reproductive prints.
chalcographic‘ institutions such as the Chalcographie du Louvre, Calcografia di Roma
Explore works in our collection with celebrated American poets.
guest curator at the Mead Art Museum of Amherst College responds to Modigliani’s Roma
The Center for Advanced Study in the Visual Arts is the National Gallery’s research institute. We foster the study of the production, use, and cultural meaning of art, artifacts, architecture, urbanism, photography, and film from all places and periods.
Italian, this online feature—a collaborative project with the Archivio di Stato di Roma
Painted late in her career when she was experimenting with unconventional viewpoints, Sky with Flat White Cloud is the second in a series of seven paintings in which Georgia O’Keeffe took inspiration from flying in an airplane high above the earth’s surface, observing the surrounding atmosphere and cloud formations. Excited by the experience of air travel, she remarked, “I’ve often thought how wonderful it would be to simply stand out in space and have nothing!� In this painting and two others in the group, she divided the vista into three horizontal bands;
Vancouver Art Gallery, 2007-2008, no. 72, repro. 2011 Georgia O’Keeffe, Fondazione Roma
Vernet / Rome 1833 [or Roma?]
The Palestinian-American poet is inspired by „Falling Man“ by Max Beckmann, her mother’s teacher.
guest curator at the Mead Art Museum of Amherst College responds to Modigliani’s „Roma
Artists turn to the color blue to conjure depth, mood, and atmosphere. It recalls both the sky and the sea. But blue pigment was sometimes costly. Ultramarine blue was made from lapis lazuli, a semiprecious stone mined in what is now Afghanistan. For centuries of Western art, it was reserved solely for painting the Virgin Mary’s cloak.Â
guest curator at the Mead Art Museum of Amherst College responds to Modigliani’s „Roma
Fragonard et Hubert Robert à Roma, Villa Medicis, Académie de France à Rome, 1990
This panel, along with The Birth, Naming, and Circumcision of Saint John the Baptist , and Madonna and Child with Five Angels were once part of the same altarpiece devoted to Saint John the Baptist (see Reconstruction ). The altarpiece’s original location is not known, though it was probably featured in a church dedicated to the saint in what is today the northern Italian region of Emilia-Romagna, close to Giovanni Baronzio ’s home in Rimini.
Battista� in the Sterbini collection, while Adolfo Venturi (La Galleria Sterbini in Roma
etching of the bridge [fig4] was executed in the mid-1750s as part of his Vedute di Roma
