Dein Suchergebnis zum Thema: Roma

Università degli studi di Roma “La Sapienza,� 1992: 38-39, 338-339, cat. 91,

The order to portray a subject who had died decades earlier did not faze Bernini. Working from a painting, the soon-to-be famous baroque artist summoned up the beloved uncle of his friend Matteo Barberini, newly elected Pope Urban VIII.
Roma vista da Roma.

Domenichino was trained at the art academy run by the Carracci family in Bologna during the last decades of the sixteenth century. In 1602 he joined his master Annibale Carracci in Rome and assisted him with the fresco decorations of the galleria in the Palazzo Farnese.
notes Artwork History Provenance Purchased 1670 by Lorenzio Onofrio Colonna, Roma

John Singer Sargent’s (1856–1925) decades-long captivation with Spain yielded a remarkable body of work depicting the rich and diverse culture he encountered.
and traditions, dynamic scenes of flamenco dance, and everyday moments of Spanish Roma

Photograph by Daniel Overturf John Singer Sargent, Spanish Roma Dwelling, 1912,

How did the Italian sculptor approach a portrait of the first US president?
Antonio Canova, George Washington, 1817, terracotta, Museo di Roma The plaster model

Dalla Milano di Leonardo alla Roma di Raffaello.

El curador adjunto de pintura francesa Aaron Wile examina la creación de un mito en el retrato de Napoleón de Jacques-Louis David.   
claro mensaje de que los logros de Napoleón igualaban o superaban los de Grecia y Roma

Airborne angels, billowing clouds, and golden rays against a sky fashioned from rare lapis lazuli surround a receptacle for holy water with exuberantly leaping edges. The Roman master goldsmith who created this stoup inscribed his maker’s mark on the central silver relief of Saint John the Baptist preaching in a landscape.
Inscriptions & Marks Inscriptions stamped on central medallion: FORNARI ROMA;

The National Ambassador for Young People’s Literature imagines the experience of Ella Watson, the subject of Gordon Parks’s iconic image.
guest curator at the Mead Art Museum of Amherst College responds to Modigliani’s "Roma