The Virgin Adoring the Child by Sandro Botticelli https://www.nga.gov/artworks/41583-virgin-adoring-child
Università degli studi di Roma “La Sapienza,“ 1992: 389 as Workshop of Botticelli
Meintest du rosa?
Università degli studi di Roma “La Sapienza,“ 1992: 389 as Workshop of Botticelli
The Corner family was one of the wealthiest and most influential in Venice. The boy on the left is Marco Corner, named after his uncle, Cardinal Marco, who is shown here handing his namesake a benefice—a church appointment providing income and property in exchange for pastoral duties.
Quattrocento all’Ottocento,” in Antonio Canova e il suo ambiente artístico fra Venezia, Roma
One of the earliest Italian group portraits, this painting depicts Cardinal Bandinello Sauli and three companions gathered around a table covered with a Turkish carpet. Set within a narrow space closed off by a rich green wall hanging, the figures appear to have been discussing the geography manuscript lying open before them.
Un pittore musico tra Venezia e Roma (1501-1511).
„Velázquez en Roma.“
Giorgione has always been considered one of the greatest artists of the Renaissance, and one whose influence on following generations of painters was considerable. For all his fame, very little is known about his short life (he may have died during a plague epidemic in 1510 at age 32 or 33), and only a few paintings can be definitively attributed to him.
Un pittore musico tra Venezia e Roma (1501-1511).
Maertyn Heemskerck nae alle de fraiste antique van Roma.”
The people and animals in this colorful procession are on their way to see the infant Jesus and honor his birth. The procession winds around a hill, under an ancient arch, and to the manger.
Benozzo Gozzoli allievo a Roma, maestro in Umbria. Exh. cat.
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This painting and the Enthroned Madonna and Child are the oldest paintings on the National Gallery of Art’s walls.
„Una Madonna tardoduecentesca tra Roma e Assisi.“ in Arte d’Occidente: temi e metodi
The composition of this Virgin and Child is loosely based on the Hodegetria , one of the more powerful and enduring icon types of the Orthodox Christian church. The Virgin gestures toward the child to show him as the “way” ( hodos in Greek), the source of salvation.
„Una Madonna tardoduecentesca tra Roma e Assisi.“ in Arte d’Occidente: temi e metodi