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Saint Paul and a Group of Worshippers by Bernardo Daddi

https://www.nga.gov/artworks/1-saint-paul-and-group-worshippers

When this painting was made in 1333, according to the date given on the lower frame, the style was a bit old-fashioned. Saint Paul’s frontal stance, the intensity and fervor of his direct gaze, the inclusion of his name in red-backed gold letters on either side of his head, and the pointed arch all might have been seen in a work from the previous century.
Associated Names Monasterio di San Felice, Florence Volpi, Elia, Professor American

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Jenny Scheinman and El Greco’s “Laocoön” | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/jenny-scheinman-and-el-grecos-laocoon

In Sand Dipper, jazz violinist Jenny Scheinman creates an abstract and overwhelming world. This music, Scheinman says, sounds how El Greco’s painting looks. And it feels like the question on Laocoön’s face as he looks up for the last time. 
was also senior lecturer in the department of art and art history and a visiting professor

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Jasiri X and “Untitled (Man)” | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/jasiri-x-and-untitled-man

Hip-hop artist Jasiri X looks at Kerry James Marshall’s woodcut almost like he’s looking into a mirror. It captures the experience of a Black man: resilient but restrained from being his authentic self. Jasiri responds to the work through two songs that reflect on his internal struggle.
of Art James Meyer is curator of modern art at the National Gallery and adjunct professor

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Peter Sheppard Skærved and Hieronymus Bosch’s “Death and the Miser” | National Gallery of Art

https://www.nga.gov/stories/sound-thoughts-art/peter-sheppard-skaerved-and-hieronymus-boschs-death-and-miser

Violinist Peter Sheppard Skærved and National Gallery director Kaywin Feldman discuss Hieronymus Bosch’s Death and the Miser and its symbolism of contrast: light and dark, life and death. Skærved plays a 17th-century violin sonatina that echoes similar contrasts of sensuality and fatality, beauty and mortality.
the ensemble Longbow, Viotti Lecturer at the Royal Academy of Music, and Honorary Professor

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