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Safra Visiting Professor) discusses works in the National Gallery’s collection that

Lee Ufan (born Haman, Korea, 1936) is an internationally celebrated painter, sculptor, and theorist who is best known as a founder of Mono-ha (School of Things), one of the most important movements to emerge from postwar Japan. The group rejected Western notions of representation and emphasized making, perception, and the interrelationships between space and matter, creating works from raw, natural, and industrial materials with little manipulation.
Since 1973, when he was appointed professor at Tama Art University in Tokyo, Lee

Safra Visiting Professor) discusses works in the National Gallery’s collection that

Cuban-born artist Abelardo Morell experiments with light and shadow, as well as interior and exterior spaces, in his photographs. Morell uses one of the oldest photography devices:
Morell was previously a professor of photography at the Massachusetts College of

Nelson is professor emeritus at the University of California, Los Angeles, where

This work reminds jazz trombonist Delfeayo Marsalis of the proud, hard-working generations that raised him. A history of struggle may suggest the minor key, but Marsalis ultimately chose upbeat music to celebrate those who fought and made it work. 
Advanced Studies in the Visual Arts, National Gallery of Art Lisa Gail Collins is professor

Ecologist Joel Fodrie from the University of North Carolina’s Institute of Marine Sciences and Senior curator Franklin Kelly discuss Turner’s vivid depiction of industry and climate change in 19th-century England.
Professor Joel Fodrie of the University of North Carolina at Chapel Hill is an estuarine

Cuban-born artist Abelardo Morell experiments with light and shadow, as well as interior and exterior spaces, in his photographs. Morell uses one of the oldest photography devices:
Morell was previously a professor of photography at the Massachusetts College of

Discover works by Benjamin West and learn about the artist
pen and brown ink and wash, heightened with white gouache, on laid paper, Gift of Professor

(Professor Luigi Grassi [1858-1937], Florence); purchased January 1923 by (Duveen