How is Black dandyism integral to Black identity and the history of fashion?
Miller Professor and Chair of the Africana Studies Department at Barnard College
Signature: [On recto, annotated in pen and light brown ink at lower left:] di Michel Angelo bona RotiInscription: On verso, annotated in pen and brown ink at upper right: 58 Annotated by early 16th century hand at lower center, following the same numbering system of the Michelangelo drawings in the Buonarroti family: nº
Harvard Art Museums Seventy Master Drawings: A Loan Exhibition Arranged in Honor of Professor
Beyond superfoods and infomercials.
DUNGY: Elsa, the professor in Mexico City who published the list that started this
the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
Raphael; mention an old copy, made from the same cartoon, in the collection of Professor
The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor presents a sumptuous mid-nineteenth-century parlor characteristic of affluent homes in the United States. It features furniture by one of the most innovative and virtuosic American cabinetmakers of the period in a room whose architectural elements are from the double parlor of a Classical Revival style villa built around 1850 in Astoria, Queens, for a prosperous businessman named Horace Whittemore (1813–1871).
A distinguished judge, revered professor of law at Trinity College in Hartford, Connecticut
In a flush of optimism following the Civil War, a group of businessmen, civic leaders, and artists determined to found an art museum in New York City. They took the first concrete step toward this goal on April Making We Scheduled The In These Above
president of the board of trustees, and Director Thomas Hoving recruited Princeton professor
Objects conservator Deborah Schorsch recounts the long history of conservation at The Met
Lewin, a chemistry professor at New York University studying the mechanisms of limestone
Attribution, Date, and Bruegel’s Working Methods: When The Met acquired The Harvesters in 1919, the extraordinarily low sale price in part had to do with the art market that had virtually collapsed during World War I
beaux-arts, 6th ser., 15 (1936), pp. 105–7, fig. 1, notes that Adolphe Crespin, professor
conservation, Islamic
The Metropolitan Museum of Art, New York, Gift of Professor Maan Z.
Mahmud II enforced a new dress code consisting of a fez, frock coat, and fitted trousers to replace traditional forms of clothing that differentiated the rank and religion of each person.
Neoclassical and Orientalist vocabularies, and is exemplified in the works of the European professors
