Immaterial: Linen – The Metropolitan Museum of Art https://www.metmuseum.org/perspectives/immaterial-linen
Suit up as we undress the complex legacy of linen.
Jonathan Square, a professor and research fellow in The Met’s Costume Institute,
Suit up as we undress the complex legacy of linen.
Jonathan Square, a professor and research fellow in The Met’s Costume Institute,
CopeA splendid convergence of cultures can be seen in this cope, a semicircular cape and hood worn in processions during Christian liturgical services. The form itself is thus Christian, as is the Eastern Orthodox subject matter of the embroidered orphrey, or ornamental border, that embellishes each of the straight sides, which would have met at the front of the wearer
Daniel Findikyan, Dean and Professor of Liturgical Studies, St.
CopeA splendid convergence of cultures can be seen in this cope, a semicircular cape and hood worn in processions during Christian liturgical services. The form itself is thus Christian, as is the Eastern Orthodox subject matter of the embroidered orphrey, or ornamental border, that embellishes each of the straight sides, which would have met at the front of the wearer
Daniel Findikyan, Dean and Professor of Liturgical Studies, St.
Inscription: Inscribed in metalpoint, at upper right: „Ung Roumain/ legat de n [?]/ . . . St pere/ en France“; in pen and brown ink on verso, „37/ BAC no.31“; in graphite: „P.HL./ Prosper Henry Lankrinck/ Page to King Charles I
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