How a fashion icon came to define the aesthetic of the “Harlem dandy”
In his personal presentation, Dapper Dan emanates what professor Monica Miller calls
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Professor Eidelberg contributes an essay on the proliferation of natural imagery
Curator Isabel Stünkel and Research Associate Kei Yamamoto tell the story of how The Met’s beloved unofficial mascot, William the Hippo, got his name.
I should like Professor Einstein to meet William, for William’s curves would either
Research Assistant Jeffrey Fraiman sits down with scholar James M. Saslow to discuss Michelangelo’s practice as a poet, the meaning of his gift drawings, and the study of the artist’s homoeroticism since his death in 1564.
Saslow, emeritus professor of art history, theater, and Renaissance studies at Queens
In plan, Teotihuacan is a complex urban grid filled with single- and multi-floor apartment compounds. This grid, unique in Mesoamerica in its scale and organization, implies a high degree of social control.
Coleman and Pam Coleman Memorial Fund Fellow, 2017-2018 Assistant Professor of Art
Bannerstones were made by nomadic hunter-gatherer peoples in the eastern half of North America between 6000 and 1000 BCE during the Archaic period.
Contributors Anna Blume Professor of the History of Art, Fashion Institute of Technology
Editorial Assistant Rachel High speaks with Antoine Hermary and Joan Mertens, authors of the recently published catalogue The Cesnola Collection of Cypriot Art: Stone Sculpture, about the publication and the collection that inspired it.
recently had the opportunity to speak with the catalogue’s authors—Antoine Hermary, professor
The Department of Drawings and Prints boasts more than one million drawings, prints, and illustrated books made in Europe and the Americas.
Rather must it be, like the library of a professor of literature, composed of a corpus
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Essays by Professor Gert Schiff, Institute of Fine Arts, New York University, and
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Narrator: Kanor is an artist and professor of French and Francophone studies at Penn
