Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
Abercrombie Professor Emeritus, Rice University, Dept. of Electrical & Computer Engineering
The magnificent volute-krater on loan from Ferrara.
Contributors Chiara Pizzirani Associate Professor, University of Bologna Delphine
Although the French neo-classical artist Jean Auguste Dominique Ingres often confessed reluctance to paint portraits, his many splendid paintings of French aristocrats and powerful personalities ultimately glorified his persona, and assured his social ascendancy in the royal circles of Louis-Philippe d’Orléans (r
Professor Solfrid Söderlind Görel Cavalli-Björkman. „Close to Reality.“
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Professor Is World’s Best African Authority,” in Ebony Marc Crawford February 1961
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Marni Kessler, Professor of Art History at the University of Kansas, is particularly
Dive into the magic of iron, bronze, lead, and copper.
DUNGY: Ali Olomi is a professor of Middle East, Islamic, and Global Southern History
Nine-month and twelve-month internships (beginning in the summer) at The Met Fifth Avenue.
an online portfolio Two letters of recommendation, one of which must be from a professor
The Damascus Room is a residential reception chamber (qaʿa) typical of the late Ottoman period in Damascus, Syria.
Research was provided by Ellen Kenney, associate professor of Islamic art and architecture
How is Black dandyism integral to Black identity and the history of fashion?
Miller Professor and Chair of the Africana Studies Department at Barnard College
The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor presents a sumptuous mid-nineteenth-century parlor characteristic of affluent homes in the United States. It features furniture by one of the most innovative and virtuosic American cabinetmakers of the period in a room whose architectural elements are from the double parlor of a Classical Revival style villa built around 1850 in Astoria, Queens, for a prosperous businessman named Horace Whittemore (1813–1871).
A distinguished judge, revered professor of law at Trinity College in Hartford, Connecticut
