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Ships in Distress off a Rocky Coast by Ludolf Backhuysen

https://www.nga.gov/artworks/65898-ships-distress-rocky-coast

The three cargo ships in this large painting are the type of wide-bellied, seagoing vessels used to transport much of the commodities that generated the wealth of the Dutch in the seventeenth century. Flying the red, white, and blue flag of the Dutch Republic, these floating symbols of national prosperity are nevertheless in peril of crashing on the rocky shore.
The top of a tall wooden mast along with a broken wooden pole poke up from emerald-green

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View of Dordrecht from the North by Jan van Goyen

https://www.nga.gov/artworks/157395-view-dordrecht-north

Billowing clouds sweep across the sky in Jan van Goyen’s engaging portrayal of the lively waterways near Dordrecht. While sailboats and dinghies filled with men and women come and go, the most active elements of the painting are the shifting patterns of light and shade passing over this watery domain.
A few reeds poke out of the water close to us, near the lower right corner of the

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Maddalena Cattaneo by Sir Anthony van Dyck

https://www.nga.gov/artworks/1233-maddalena-cattaneo

In response to dynastic concerns of Genoese patricians, Anthony van Dyck began to portray individual children while in Italy. Painted in 1623, the likenesses of Filippo and Maddalena Cattaneo are among the most endearing of Van Dyck’s portraits, in the way they capture the radiant innocence of childhood.
The rounded toes of her cream-white shoes poke out under the ankle-length hem of

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The Raising of the Cross [center, left, and right panels] by Master of the Starck Triptych

https://www.nga.gov/artworks/102628-raising-cross-center-left-and-right-panels

This rare example of an intact portable triptych from the late fifteenth century is further enhanced by its superb state of preservation. On the exterior wings are two of the most popular saints in Western art, Saints Barbara and Catherine, who represent the active and the contemplative life, respectively.
pulling on one of the ropes to our right wears tattered blue clothing, and his toes poke

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Queen Henrietta Maria with Sir Jeffrey Hudson by Sir Anthony van Dyck

https://www.nga.gov/artworks/41651-queen-henrietta-maria-sir-jeffrey-hudson

In 1632 Anthony van Dyck was invited to England to work at the court of King Charles I and Queen Henrietta Maria. In Van Dyck, the royal couple and the English aristocracy found an artist whose gifts perfectly matched their artistic sensitivities as well as their political needs and aspirations.
A hint of a shiny silver earring pokes through brown ringlets, and one curl falls

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