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Known for playfully sensuous terracotta nymphs and satyrs, Clodion also portrayed more serious subjects from Classical myth and history. An ancient draped figure at the Uffizi in Florence, then known as a vestal, inspired him during a stay in Italy to make several statuettes of a priestess of the Roman hearth goddess Vesta, pouring out oil to feed the sacred fire.
Exh. cat., Philadelphia Museum of Art, 2000: 250-251, under no. 127. 2005 Baillio

In One Year the Milkweed , one of several so-called color veil paintings Gorky made in 1944, films of paint have been washed unevenly across the canvas, and evocative but indistinct forms have been brushed in. Overall green and brown hues suggest a landscape, but there are no identifiable landscape forms and no spatial recession.
York; Phoenix Art Museum, 2005, pl. 85. 2009 Arshile Gorky: A Retrospective, Philadelphia

(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia

Painted in August 1907, Forty-two Kids depicts a band of nude and partially clothed boys engaged in a variety of antics—swimming, diving, sunbathing, smoking, and possibly urinating—on and near a dilapidated wharf jutting out over New York City’s East River. A sharp observer of urban life, George Bellows has sketched his streetwise subjects with characteristic vigor and economy of means, and he has carefully rendered their varied ethnic backgrounds.
1908, no. 167. 103rd Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia

works from the Eddleman and Fisher collections at the Chemical Heritage Foundation, Philadelphia

Mythological Painting from Watteau to David, Galeries nationales du Grand Palais, Paris; Philadelphia

Gallery of Art, Washington, D.C., 1996, no. 110, color repro. 2002 Barnett Newman, Philadelphia

The department of image collections has been fortunate to acquire the photographic research collections of many art historians affiliated with the National Gallery of Art and the Center for Advanced Study in the Visual Arts.
More Ann Percy (1940–)* Curator of drawings at Philadelphia Museum of Art.

Who is this elegant lady? A noblewoman surely, and most likely a member of the court of Cosimo I de‘ Medici, Duke of Florence in the mid-sixteenth century.
Philadelphia, 1916: unpaginated, repro. 1923 Paintings in the Collection of Joseph

Philadelphia and New York, 1942: pl. 338. 1943 Swarzenski, Georg.