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A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch) by Thomas Cole

https://www.nga.gov/artworks/50727-view-mountain-pass-called-notch-white-mountains-crawford-notch

Crawford Notch, a deep valley in New Hampshire’s White Mountains, gained notoriety in 1826 when nine lives were lost in a catastrophic avalanche nearby. Cole’s painting depicts the site of an earlier landslide whose destruction prompted the victims—Mr.
Sturges, Fairfield, Connecticut; LeRoy Ireland, Philadelphia, probably early 1930s

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Nude Woman by Pablo Picasso

https://www.nga.gov/artworks/53378-nude-woman

In 1909, Hamilton Easter Field, a Brooklyn painter and critic, asked Picasso to create a group of eleven paintings as a decoration for his library. Picasso accepted but, although he worked on the commission intermittently over the next several years, he never completed all eleven of the panels.
94, repro., as Standing Figure. 1945 The Callery Collection: Picasso-Léger, Philadelphia

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A Dutch Courtyard by Pieter de Hooch

https://www.nga.gov/artworks/63-dutch-courtyard

Pieter de Hooch worked in the small and relatively quiet city of Delft from 1652 to about 1660. Like other Delft artists, most notably Carel Fabritius and Johannes Vermeer, De Hooch painted everyday scenes that are remarkable for their clarity of perspective and harmony of light.
Philadelphia Museum of Art; Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz

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Forty-two Kids by George Bellows

https://www.nga.gov/artworks/134485-forty-two-kids

Painted in August 1907, Forty-two Kids depicts a band of nude and partially clothed boys engaged in a variety of antics—swimming, diving, sunbathing, smoking, and possibly urinating—on and near a dilapidated wharf jutting out over New York City’s East River. A sharp observer of urban life, George Bellows has sketched his streetwise subjects with characteristic vigor and economy of means, and he has carefully rendered their varied ethnic backgrounds.
1908, no. 167. 103rd Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia

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A Vestal by Clodion

https://www.nga.gov/artworks/41714-vestal

Known for playfully sensuous terracotta nymphs and satyrs, Clodion also portrayed more serious subjects from Classical myth and history. An ancient draped figure at the Uffizi in Florence, then known as a vestal, inspired him during a stay in Italy to make several statuettes of a priestess of the Roman hearth goddess Vesta, pouring out oil to feed the sacred fire.
Exh. cat., Philadelphia Museum of Art, 2000: 250-251, under no. 127. 2005 Baillio

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One Year the Milkweed by Arshile Gorky

https://www.nga.gov/artworks/56936-one-year-milkweed

In One Year the Milkweed , one of several so-called color veil paintings Gorky made in 1944, films of paint have been washed unevenly across the canvas, and evocative but indistinct forms have been brushed in. Overall green and brown hues suggest a landscape, but there are no identifiable landscape forms and no spatial recession.
York; Phoenix Art Museum, 2005, pl. 85. 2009 Arshile Gorky: A Retrospective, Philadelphia

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