La Bretonnerie in the Department of Indre by Gustave Courbet https://www.nga.gov/artworks/53126-la-bretonnerie-department-indre
Philadelphia Museum of Art, Boston Museum of Fine Arts, 1959-1960, no. 25, repro.
Philadelphia Museum of Art, Boston Museum of Fine Arts, 1959-1960, no. 25, repro.
Landscapes 1865-1883, The National Gallery, London; National Gallery of Canada, Ottawa; Philadelphia
Fresno Art Museum, 2006, no. 1, repro. 2009 Arshile Gorky: A Retrospective, Philadelphia
As the oldest son of Charles Willson Peale, Raphaelle Peale was the first in a dynasty of painters and botanists burdened by the names of famous artists and scientists that their father admired. In the first history of American art, published nine years after Raphaelle Peale’s death and one of the very few notices taken of him, William Dunlap wrote that Peale, like his father, was „a painter of portraits in oil and miniature, but excelled more in compositions of still life.
.; Pennsylvania Academy of the Fine Arts, Philadelphia, 1988-1989, no. 2, repro.,
unnumbered catalogue, repro. 2002 Degas and the Dance, Detroit Institute of Arts; Philadelphia
The Detroit Institute of Arts; Museum of Fine Arts, Boston; Philadelphia Museum of
London and Philadelphia, 1910: 240, no. 198. 1919 Duret, Théodore.
Philips Wouwerman, a prolific painter of equestrian scenes, hailed from Haarlem, where he was baptized on May 24, 1619. The eldest of three sons born to the painter Pouwels Joosten and Susanna van den Bogert, Pouwels’ fourth wife, Wouwerman probably first learned to paint from his father.
Rijksmuseum, Amsterdam; Museum of Fine Arts, Boston; Philadelphia Museum of Art.
Aelbert Cuyp, one of the foremost Dutch landÂscape painters of the seventeenth century, was born in Dordrecht in October of 1620. His father, Jacob Gerritsz Cuyp (1594–1652), was a successful porÂtrait painter in the city, and from him Aelbert received his earliest training, assisting his father by painting landscape backgrounds for porÂtrait commissions.
Rijksmuseum, Amsterdam; Museum of Fine Arts, Boston; Philadelphia Museum of Art.
Caspar Netscher trained in Deventer with Gerard ter Borch, from about 1654 to 1659. Like his teacher, Netscher became an outstanding portraitist as well as a master of portraying the social interactions of the Dutch elite.
Philadelphia Museum of Art; Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz