Dein Suchergebnis zum Thema: Philadelphia

American Impressionist, Cincinnati Art Museum; Pennsylvania Academy of the Fine Arts, Philadelphia

Meindert Hobbema, viewed today as one of the most characteristic and highly valued Dutch landscape painters of the seventeenth century, is not mentioned in a single seventeenth-century literary source. The earliest reference to his work occurs in Johan van Gool’s 1751 lexicon of Dutch artists, where Hobbema is mentioned in passing as having painted “modern landscapes.�
Rijksmuseum, Amsterdam; Museum of Fine Arts, Boston; Philadelphia Museum of Art.

Furniture, Detroit Institute of Arts, 1935, no cat. 1937 Problems of Portraiture, Philadelphia

2016 Picasso: The Great War, Experimentation and Change, The Barnes Foundation, Philadelphia

, Galeries nationales du Grand Palais, Paris; Los Angeles County Museum of Art; Philadelphia

Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 224-227, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
"A Diplomat’s Wife in Philadelphia: Letters of Henrietta Liston, 1796-1800."

(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia

The exhibition of Home, Sweet Home in the spring of 1863 auspiciously marked Winslow Homer’s debut as a painter. The painting was enthusiastically admired.
Philadelphia Evening Telegraph, October 1, 1910.

Manet came from a well–to–do family, and this painting provides a glimpse of the sophisticated Parisian world he loved. He was uncomfortable in the countryside, preferring instead the finery of the city.
London and Philadelphia, 1910: 68-69, 233, no. 153. 1912 Meier-Graefe, Julius.

The Dancer was one of seven works that Renoir included in the first exhibition of the Société anonyme coopérative des artistes, peintres, sculpteurs, graveurs, etc., which opened in April 1874. In contrast to works by most of the other artists in the group—soon to be dubbed the impressionists—Renoir’s paintings were relatively well received.
1941, no. 7, repro. 1950 Diamond Jubilee Exhibition: Masterpieces of Painting, Philadelphia