Dein Suchergebnis zum Thema: Philadelphia

American Impressionist, Cincinnati Art Museum; Pennsylvania Academy of the Fine Arts, Philadelphia

Meindert Hobbema, viewed today as one of the most characteristic and highly valued Dutch landscape painters of the seventeenth century, is not mentioned in a single seventeenth-century literary source. The earliest reference to his work occurs in Johan van Gool’s 1751 lexicon of Dutch artists, where Hobbema is mentioned in passing as having painted “modern landscapes.�
Rijksmuseum, Amsterdam; Museum of Fine Arts, Boston; Philadelphia Museum of Art.

The exhibition of Home, Sweet Home in the spring of 1863 auspiciously marked Winslow Homer’s debut as a painter. The painting was enthusiastically admired.
Philadelphia Evening Telegraph, October 1, 1910.

Manet came from a well–to–do family, and this painting provides a glimpse of the sophisticated Parisian world he loved. He was uncomfortable in the countryside, preferring instead the finery of the city.
London and Philadelphia, 1910: 68-69, 233, no. 153. 1912 Meier-Graefe, Julius.

2016 Picasso: The Great War, Experimentation and Change, The Barnes Foundation, Philadelphia

Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 224-227, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
"A Diplomat’s Wife in Philadelphia: Letters of Henrietta Liston, 1796-1800."

(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia

, Galeries nationales du Grand Palais, Paris; Los Angeles County Museum of Art; Philadelphia

Furniture, Detroit Institute of Arts, 1935, no cat. 1937 Problems of Portraiture, Philadelphia

Guy Pène du Bois painted Pierrot Tired while living in France in the 1920s. Although the artist’s strained finances forced him to live some 30 miles outside Paris, his fascination with that city’s café society and expatriate culture led him to paint many views of well-to-do restaurant and nightclub patrons.
no. 10. 1932 127th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia