Dein Suchergebnis zum Thema: Philadelphia

Ethel Philip, Whistler’s sister-in-law and a favorite subject of the artist, whose likeness appears in drawings, etchings, lithographs, and at least five full-size oil paintings, stands against an empty, shallow background with her back to the viewer. She wears a grey silk gown topped with a bolero jacket of transparent silk gauze or fine net—a design inspired by traditional costumes from Spain’s Andalusian region.
L’Andalousienne. 71st Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia

Widener [1834-1915], Philadelphia, and Lynnewood Hall, Elkins Park, Pennsylvania,

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Johnson Collection Archives at the Philadelphia Museum of Art (box 5, folders 5 and

Gerrit Dou, considered the founder of the Dutch school of fijnschilderij , or fine painting, was born in Leiden on April 7, 1613, the son of Marytje Jansdr van Rosenburg and the glassmaker and engraver Douwe Jansz. According to Orlers, Dou received his first instruction, in the art of glass engraving, from his father.
Philadelphia Museum of Art; Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz

(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia

Die was one of Tony Smith’s first steel sculptures and the inspiration for much of his later work. He had made a six-inch cardboard model in black in 1962, but he did not have Die fabricated until 1968.
The two posthumous examples belong, respectively, to a private collector in Philadelphia

Rosenwald, Philadelphia Art Alliance, 1930. 1936 Rembrandt and his Circle, Worcester

Brancusi 1876-1957, Musée national d’art moderne, Centre Georges Pompidou, Paris; Philadelphia

Exhibition History 1910 Eighth Annual Exhibition, Philadelphia Water Color Club

A young man in a white t-shirt and khakis sits casually in an armchair, hands resting behind his head. He looks directly forward, and yet he seems to be looking past, preoccupied with thoughts.
Whitney Museum of American Art, New York; Addison Gallery of American Art, Andover; Philadelphia