(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
A pleasant sense of ease and harmony pervades this landscape of almost photographic clarity. The large areas of brilliant sunshine and cool shade, the rambling line of the fence, and the beautiful balance of trees, meadow, and river are evidence of the artist’s creative synthesis of the actual site.
British and Modern French Schools, privately printed, Philadelphia, 1915: unpaginated
(his sale, Sotheby’s‘ London, 15 July 1946, no. 2216); (The Rosenbach Company, Philadelphia
Guy Pène du Bois painted The Politicians during his last year as a reporter for William Randolph Hearst’s New York American . A great admirer of the satirical French painter Honoré Daumier and keen observer of social and political life in New York, Pène du Bois often caricatured the city’s lawyers, policemen, tycoons, and politicians.
another work in the same vein titled The Politician (c. 1912, Barnes Foundation, Philadelphia
