Dein Suchergebnis zum Thema: Philadelphia

Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
1843, no. 1. 1844 Paintings Exhibited…, Pennsylvania Academy of Fine Arts, Philadelphia

Jan Steen’s paintings encompass a wide range of moods and subjects, from intimate scenes of a family saying grace before a meal to festive village celebrations, yet all of his paintings elicit a warm reaction to the lives of ordinary people. All five senses are represented in this work in which two young musicians play for a dancing couple while other people in the vine-covered arbor flirt, eat, drink, or smoke, and children amuse themselves with their toys.
Widener, Ashbourne, near Philadelphia. 2 vols.

Gabriel Metsu was born in Leiden sometime between November 27 and mid-December 1629, about eight months after the death of his father, the Flemish painter Jacques Metsue. In 1644, when fifteen-year-old Gabriel Metsu joined a semiformal group of local artists, he entered the membership rolls as a “painter.� Six days after the establishment of Leiden’s Saint Luke’s Guild in 1648, Metsu paid his membership dues as an independent master.
Philadelphia Museum of Art; Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz

Unlike some of his contemporaries, John Frederick Kensett felt no need to travel to the tropics or the American West to find compelling subjects to paint. Instead, he continually revisited several familiar locales in New York and New England where he could explore the ways in which the same motif was altered by subtle differences in light and atmosphere.
Cummings, Historic Annals of the National Academy of Design (1825-1863), Philadelphia

Rosenwald of Philadelphia, Baltimore Museum of Art, 1929, no. 48. 1953 Renaissance

at Lynnewood Hall, Elkins Park, Pennsylvania: British and Modern French Schools, Philadelphia

Clarke, Philadelphia Museum of Art, 1928-1931, unnumbered and unpaginated catalogue

[fig2] Philadelphia Museum of Art, Gift of Henry P.

Sensational and scandalous for an American audience unused to seeing classically nude statues of women, this figure by Hiram Powers caused a frenzy when it was first exhibited in the mid-19th century. Curious viewers came in droves to see it after Powers sent several copies from Italy, where he created the work.
Philadelphia, 1874: 41-43. 1875 „Aunt Mehitable in Washington: By Her Niece, Alice

Philadelphia, 1935: 33, as by Cafaggiolo, c. 1510. 1942 Works of Art from the