John Maurice, Count of Nassau by Pieter Claesz Soutman https://www.nga.gov/artworks/38377-john-maurice-count-nassau
Rosenwald [1891 – 1979], Philadelphia, (L.1932d); gift to NGA, 1950.
Rosenwald [1891 – 1979], Philadelphia, (L.1932d); gift to NGA, 1950.
history & notes Artwork History Provenance Brandywine Workshop and Archives, Philadelphia
Museum of Art, 1999, no cat. 2003 Manet and the Sea, Art Institute of Chicago; Philadelphia
Piet Mondrian intended his abstract or so-called „neo-plastic“ paintings to express his fundamentally spiritual notion that universal harmonies preside in nature. The horizontal and vertical elements of his compositions, assiduously calibrated to produce a balanced asymmetry, represented forces of opposition that parallel the dynamic equilibrium at work in the natural world.
Providence, 1966, no. 112 Piet Mondrian 1872-1944, The Art Gallery of Toronto; The Philadelphia
Robert Torchia Robert Wilson Torchia is an independent art historian based in the Philadelphia
history & notes Artwork History Provenance Brandywine Workshop and Archives, Philadelphia
history & notes Artwork History Provenance Brandywine Workshop and Archives, Philadelphia
Pieter Hendricksz de Hooch (occasionally spelled de Hoogh) was baptized in the Reformed Church in Rotterdam on December 20, 1629. His father was a master bricklayer and his mother a midwife.
Philadelphia Museum of Art; Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz
Louis, Philadelphia Museum of Art, 1969-1970, no. 69, repro.
Artwork history & notes Artwork History Provenance The artist; to Ruth Fine, Philadelphia