Mystic Sky with Self-Portrait by Betye Saar, Robert Franklin, Brandywine Workshop and Archives https://www.nga.gov/artworks/227007-mystic-sky-self-portrait
history & notes Artwork History Provenance Brandywine Workshop and Archives, Philadelphia
Dein Suchergebnis zum Thema: Philadelphia
Plate Number 189. Dancing (fancy) by Eadweard Muybridge https://www.nga.gov/artworks/166683-plate-number-189-dancing-fancy
2014.79.232 Artwork history & notes Artwork History Provenance Eadweard Muybridge, Philadelphia
Confused Paradise by Robert Franklin, Brandywine Workshop and Archives, Juan Sánchez, Edwin Arocho, Jim „BJ“ Hughes https://www.nga.gov/artworks/227008-confused-paradise
history & notes Artwork History Provenance Brandywine Workshop and Archives, Philadelphia
Ein Frau war lannge Zeit … by Master of the Miracles of Mariazell https://www.nga.gov/artworks/48402-ein-frau-war-lannge-zeit
Louis, Philadelphia Museum of Art, 1969-1970, no. 69, repro.
At Sea by James McNeill Whistler https://www.nga.gov/artworks/11317-sea
history & notes Artwork History Provenance Lessing Julius Rosenwald [1891-1971], Philadelphia
Bust of a Balding Man by Jan Lievens https://www.nga.gov/artworks/11571-bust-balding-man
Exhibition History 1931 Five Centuries of Print Making, The Print Club of Philadelphia
The Washington Family by Edward Savage https://www.nga.gov/artworks/561-washington-family
This group portrait represents George Washington’s military, political, and family life. The president, in a Revolutionary War uniform, rests his hand on a plan for Washington, DC, the site for the new US capital.
Clarke, Exh. cat., Philadelphia Museum of Art, 1928, annotated with information from
George Luks | National Gallery of Art https://www.nga.gov/artists/1499-george-luks
George Luks was born in Williamsport, Pennsylvania, in 1866 to a lively and cultured family. Luks’s father, a multilingual doctor, emigrated from Poland;
alter ego, the boxer “Chicago Whitey.� In the early 1890s, Luks worked in Philadelphia
Tableau No. IV; Lozenge Composition with Red, Gray, Blue, Yellow, and Black by Piet Mondrian https://www.nga.gov/artworks/52614-tableau-no-iv-lozenge-composition-red-gray-blue-yellow-and-black
Piet Mondrian intended his abstract or so-called „neo-plastic“ paintings to express his fundamentally spiritual notion that universal harmonies preside in nature. The horizontal and vertical elements of his compositions, assiduously calibrated to produce a balanced asymmetry, represented forces of opposition that parallel the dynamic equilibrium at work in the natural world.
Providence, 1966, no. 112 Piet Mondrian 1872-1944, The Art Gallery of Toronto; The Philadelphia
Robert Torchia | National Gallery of Art https://www.nga.gov/people/robert-torchia?page=0
Robert Torchia Robert Wilson Torchia is an independent art historian based in the Philadelphia