Untitled by Donald Judd https://www.nga.gov/artworks/74589-untitled
Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
Dein Suchergebnis zum Thema: Philadelphia
Odalisque, Half-Length–The Tattoo by Henri Matisse https://www.nga.gov/artworks/46515-odalisque-half-length-tattoo
no. 94, as Femme Mauresque. 1943 Paintings from the Chester Dale Collection, Philadelphia
Harry Waldron Havemeyer | National Gallery of Art https://www.nga.gov/artworks/provenance/1043-harry-waldron-havemeyer/artworks
Discover works by Harry Waldron Havemeyer and learn about the artist
mounted on album sheet Accession ID 2015.25.4.16 Not on view Artwork Plan of Philadelphia
Harry Waldron Havemeyer | National Gallery of Art https://www.nga.gov/artworks/provenance/1043-harry-waldron-havemeyer/artworks?page=0
Discover works by Harry Waldron Havemeyer and learn about the artist
mounted on album sheet Accession ID 2015.25.4.16 Not on view Artwork Plan of Philadelphia
James McNeill Whistler | National Gallery of Art https://www.nga.gov/artists/1974-james-mcneill-whistler
Discover works by James McNeill Whistler and learn about the artist
London and Philadelphia, 1908. 1910 Kennedy, Edward G.
Experiment 27 by Alfred Stieglitz, Clarence H. White https://www.nga.gov/artworks/204688-experiment-27
Accession Number 1949.3.1276.23 Copyright Image courtesy of the Philadelphia Museum
The Great Red Dragon and the Beast from the Sea by William Blake https://www.nga.gov/artworks/11499-great-red-dragon-and-beast-sea
Rosenwald, Print Club of Philadelphia, 1930, no. 15.
Perilous Night by Jasper Johns https://www.nga.gov/artworks/86864-perilous-night
Johns has long been concerned with the visual and conceptual act of decoding. His various manners of painting and drawing, for example, frequently result in a congested accumulation of marks or signs, while his materials include encaustic (a thick, quick-drying wax medium that allows for a visible layering of brushstrokes) as well as objects that have been mounted on the canvas in the manner of assemblage and collage.
(Greene Street), New York, 1984, no cat. 1988 Jasper Johns: Work Since 1974, Philadelphia
The Seine at Giverny by Claude Monet https://www.nga.gov/artworks/46655-seine-giverny
Chester Exhibition History 1943 Paintings from the Chester Dale Collection, Philadelphia
Pont Neuf, Paris by Auguste Renoir https://www.nga.gov/artworks/52202-pont-neuf-paris
While his figure paintings are better known, Renoir’s landscapes resonate with a vigor and freshness of vision central to the development of impressionism, most apparent here in his transcription of the effects of sunlight. Midday sun suffuses the panorama, its intensity heightening the artist’s palette and suppressing incidental detail to clarify the crowded scene.
[1] The painting was lent by Coe to a 1933 exhibition in Philadelphia, per an unnumbered