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John’s Evangelical Lutheran Church, Philadelphia" Manuels, Marijn, and Thayer Tolles
Michael Gallagher discusses the recent reattachment of the Jabach portrait to its stretcher in preparation for the final phases of conservation.
Ellie Ngo March 19 Video Considering the Philadelphia Table November 7, 2024
?[art dealer, in 1834]; [art dealer, England, in 1910]; [Mautner von Markhof, Vienna]; K. Moser, Vienna; his widow, Mrs. Hauska, Vienna; ?R. Wittig; [Kunstverlag Wolfrum, Vienna, until 1921; sold for $2,000 to Thayer]; Scofield Thayer, Worcester, Mass
"The Worcester-Philadelphia Exhibition of Flemish Painting," February 23–March
Inscription: Inscribed in metalpoint, at upper right: „Ung Roumain/ legat de n [?]/ . . . St pere/ en France“; in pen and brown ink on verso, „37/ BAC no.31“; in graphite: „P.HL./ Prosper Henry Lankrinck/ Page to King Charles I
Philadelphia Museum of Art.
Michael Gallagher describes the process of turning over the Jabach portrait, which had been undergoing conservation on its reverse, so that it can be stretched onto a new frame.
Ellie Ngo March 19 Video Considering the Philadelphia Table November 7, 2024
This panel of about 1650–51 introduces the most admired qualities of Ter Borch’s mature style (as found, for example, in Curiosity of about 1660–62, The Met 49
Philadelphia Museum of Art Bulletin 78 (Winter 1982/Spring 1983), pp. 12, 14 n. 5
On October 21, 1953, Joseph Cornell (American, 1903–1972) visited an exhibition of modern art at the Sidney Janis Gallery in New York and was enthralled by one work, The Man at the Café (1914), by the Cubist artist Juan Gris An Cornell’s The This The Juan The Cornell’s Homage Joseph In Untitled Joseph Cornell’s Josette; Joseph This Le Joseph This
Philadelphia Museum of Art, Purchased with the John D.
New York, 1905–Stockbridge, Mass., 1975
institutions, such as those of the Museum of Modern Art (MoMA) in New York and the Philadelphia
John Quinn, New York (1923–d. 1924; purchased from the artist in December 1923 for Fr 25,000; his estate, 1924–26; sold in 1926 through Brummer Gallery, New York to Duchamp and Roché); Marcel Duchamp and Henri-Pierre Roché (1926; sold in 1926, for $1,000, to Levy); Edgar A
Philadelphia Museum of Art.
× 10 3/4 inches (18.7 × 27.3 cm) Sheet: 9 3/4 × 12 7/8 inches (24.8 × 32.7 cm), Philadelphia
