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The Market for Modernism | MetSpeaks – The Metropolitan Museum of Art

https://www.metmuseum.org/perspectives/the-market-for-modernism

Between 1850 and 1950, when art collecting in France stalled due to the devastating effects of two world wars, revolution, and economic uncertainty, it accelerated internationally, gaining interest from foreign collectors. In this discussion, curators, scholars, and experts in provenance research consider the historical market for modern art as the root of the globalized art world of today.
Gloria and Jack Drosdick Curator of European Painting and Sculpture and Curator, Philadelphia

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Anthony van Dyck – Study for an Equestrian Portrait, Possibly that of Albert de Ligne, Count of Arenberg; verso: Various Studies of Statues and Figures, Including the Venus Pudica and Scipio and his Lictor – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/335425

Inscription: At lower left, inscribed „The Count of Arenberg by Vandyke“ pen and brown ink (19th-century handwriting). Verso: at bottom center, inscribed „prins moúris van van Dyk orgenael
New York (American), February 18, 1921, lot 66; Richard Ederheimer (American) Philadelphia

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