King Arthur (from the Heroes Tapestries) – South Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/467528
Philadelphia: J. B. Lippincott, 1925. pp. 17–21, 24–25, 234–235, pls.
Dein Suchergebnis zum Thema: Philadelphia
Art and the Empire City | The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/listings/2000/art-and-the-empire-city
New York, nineteenth century
In 1825, New York was still dependent on Philadelphia for silversmiths capable of
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County Museum of Art Minneapolis Institute of Arts Museum of Fine Arts, Boston Philadelphia
Alexandria Ballroom | The Metropolitan Museum of Art https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/alexandria-ballroom
This large and imposing room has been referred to as the Alexandria Ballroom. Intended to host public assemblies and elegant balls, it was originally located on the second floor of the City Hotel, built in 1792 in Alexandria, Virginia.
period preceding the revolution, an American edition of his book was published in Philadelphia
Thomas Hart Benton – America Today – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/499559
New School for Social Research, New York (1931–82; unveiled January 1, 1931; sold in May 1982 to Maurice Segoura Gallery); [Maurice Segoura Gallery, New York, 1982–84; sold on February 1, 1984 to Equitable Life]; The Equitable Life Assurance Society of the United States (now AXA), New York (1984–2012; their gift to MMA)
Exh. cat., Philadelphia Museum of Art.
Interwoven Globe | The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/listings/2013/interwoven-globe
textile
Tipu Sultan (r. 1781–99), an anticolonist. 1784: The United States sets sail from Philadelphia
Scientific Research Department Bibliography – The Metropolitan Museum of Art https://www.metmuseum.org/departments/scientific-research/bibliography
Bibliography of The Met’s Scientific Research department
The Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London
Jean-L̩on G̩r̫me РBashi-Bazouk РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/440723
Gérôme specialized in a brand of photographic realism which, from the 1840s onward, distinguished him from the increasingly stale Neoclassical style promulgated by the followers of Jean Auguste Dominique Ingres
Philadelphia, [ca. 1880], vol. 3, p. 124, as in Henry T.
Edward Hopper – Tables for Ladies – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/487695
Philadelphia. Pennsylvania Academy of the Fine Arts.
Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436282
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
, as in Miri Rubin, Gentile Tales, the Narrative Assault on Late Medieval Jews, Philadelphia