Watch a playlist of fifteen automata, clocks, writing machines, and more.
Franklin Institute, Philadelphia Androids capable of writing and drawing, which
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Philadelphia: Saint Joseph’s University, 1996. pp. 30, 39 n. 213.
The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Painting: This mesmerizing image of Christ derives from the Gospels of Mark (15: 17–18) and John (19: 1–5) wherein Jesus was beaten, crowned with thorns, and dressed in a purple robe, subsequently to be presented by Pilate to the jeering crowd of Jews with the words „Ecce Homo“ (Behold the man)
„An Investigation of the Philadelphia ‚Saint Francis Receiving the Stigmanta‘.“
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
John’s Evangelical Lutheran Church, Philadelphia“ Manuels, Marijn, and Thayer Tolles
How did a decade of unprecedented financial strife, radical social upheaval, and technological innovation shape art and cultural identity in the United States?
Lithograph, 141/2 × 1013/16 in. (36.8 × 27.4 cm) Philadelphia Museum of Art, Purchased
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Philadelphia: Saint Joseph’s University, 1996. pp. 30, 39 n. 213.
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
Philadelphia: J. B. Lippincott, 1950. p. 33, fig. 22. Comstock, Helen.
[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Philadelphia Museum of Art.
Exh. cat., Philadelphia Museum of Art.
The subject of the painting has for a long time been at issue. If the present identification is correct, then Greuze depicted Aegina, daughter of the river god Asopus, when she was visited by Jupiter in the guise of fire
Philadelphia, [1895?], fascicule 9–10, pl. 83, as „Danae“.
