There is no record of this picture prior to its purchase between 1882 and 1884 by William Graham (1817–1885), a Glasgow merchant, major supporter of the Pre-Raphaelites, and notable collector of early Italian paintings
, p. 22, dates it slightly before Foppa’s Madonna in the Philadelphia Museum of Art
While the interpretation of American Neoclassicism differed from one Atlantic coast city to the next, it typically drew from common sources.
bowl to allow their owners to use them as commodes, as seen in an example from Philadelphia
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Johnson Collection and the Philadelphia Museum of Art.
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Johnson Collection and the Philadelphia Museum of Art.
The Artist: Bernardo Daddi was one of the most important painters of the early Trecento in Florence. He began his activity there in the 1320s during the height of Giotto’s reign over Florentine painting
Johnson Collection and the Philadelphia Museum of Art.
Philadelphia: J. B. Lippincott, 1925. pl. VI, e. Breck, Joseph.
Philadelphia: J. B. Lippincott, 1925. pl. VI, e. Breck, Joseph.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Institute and a post-graduate fellow in Costumes and Textile Conservation at the Philadelphia
The Worsham-Rockefeller Dressing Room is among the most elaborate and best-preserved interiors from late-19th-century New York City.
movement’s popularity in the United States was the 1876 Centennial Exposition, held in Philadelphia
