Explore this gracious Stair Hall designed by the newly formed New York City architectural firm of McKim, Mead and White for the Buffalo home of Erzelia Stetson Metcalfe.
1886) Colonial Revival movement The Centennial International Exposition, held in Philadelphia
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Exh. cat., Philadelphia Museum of Art.
The Painting: In 1873, the great opera baritone Jean-Baptiste Faure commissioned from Degas a picture depicting ballerinas of the Opera ballet corps at an examination or dance class (Pantazzi 1988)
An essence drawing of Perrot (Philadelphia Museum of Art), notably with the more
Daniel Chester French attained prominence as the leading American monumental sculptor of the early twentieth century.
Louis (1876–82), Philadelphia (1878–82), and Boston (1880–85).
Chicago, 1904—Santa Barbara, 1981, and Chicago, 1905—Santa Barbara, 1987
Philadelphia: John Benjamins Pub. Co., 1996. Du Plessix, Francine.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
He is co-curating an exhibition on Henri Rousseau with the Barnes Foundation, Philadelphia
By 1850, the prospect of bronze casting in the United States had taken on added symbolism—a medium that reflected America’s growing confidence and ambition as a world power while at the same time proclaiming its artistic independence from European sculptural models and materials.
Amoroux, John Williams, and Henry-Bonnard in New York, and Robert Wood in Philadelphia
Famed for his sensual nudes and charming scenes of pretty women, Auguste Renoir was a far more complex and thoughtful painter than generally assumed.
sculptural nudes in a vague landscape culminated in Renoir’s Large Bathers now at the Philadelphia
Claude drew inspiration from his close, constant study of nature and changing effects of light.
His earliest dated canvas is a pastoral subject painted in 1629 (Philadelphia Museum
