David with the head of Goliath – Italian, Padua – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/200570
Belle Linsky Collection, as brazen, inept imitations of the excellent David in the Philadelphia
Dein Suchergebnis zum Thema: Philadelphia
Surrealism – The Metropolitan Museum of Art https://www.metmuseum.org/essays/surrealism
The cerebral and irrational tenets of Surrealism find their ancestry in the clever and whimsical disregard for tradition fostered by Dadaism a decade earlier.
complex Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (1915–23; Philadelphia
Staff – The Metropolitan Museum of Art https://www.metmuseum.org/departments/textile-conservation/staff
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
She gained Conservation experience at various institutions, including the Philadelphia
Furniture plaque: female sphinx with Hathor-style curls – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323530
Philadelphia: INSTAP Academic Press, pp. 253-257, fig. 16.37.
Master of the Cascade Coiffure – Musamo (headrest) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/314378
missionary in Kasai region, before 1908; his widow, until 1967; Margaret Barton Plass, Philadelphia
From Model to Monument: American Public Sculpture, 1865–1915 – The Metropolitan Museum of Art https://www.metmuseum.org/essays/from-model-to-monument-american-public-sculpture-1865-1915
Throughout the ages, public sculptures have served as didactic tools, offering moral, patriotic, and cultural instruction. Symbols of pride, they have proclaimed cities as tastemakers in civic and aesthetic matters.
Urban centers such as New York, Philadelphia, Washington, D.C., and Richmond aspired
Manuel Maples Arce – Urbe: super-poema bolchevique en 5 cantos (Urbe: Bolshevik Super-poem in 5 Parts) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/345043
Reproduction: © 2025 Artists Rights Society (ARS), New York Jean Charlot (French) Philadelphia
Furniture support: lion’s leg – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323568
Philadelphia: INSTAP Academic Press, pp. 238-243, fig. 16.18-.22.
Willie "Ma Willie" Abrams – Roman Stripes quilt – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/654081
the artist, Gee’s Bend, Ala.; Essie Young, Gee’s Bend, Ala. (until 2000; in 2000 to Arnett); William S. Arnett, Atlanta (2000–2002; his gift in 2002 to Tinwood Alliance); Tinwood Alliance, Atlanta (2002–10; transfer in 2010 to Souls Grown Deep); Souls Grown Deep Foundation, Atlanta (2010–14; their gift to MMA)
Philadelphia Museum of Art.
Nude female figure – Israelite – Iron Age II – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323163
1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Century CE: Proceedings of the 62nd Rencontre Assyriologique Internationale at Philadelphia