Philadelphia: INSTAP Academic Press, pp. 253-257, fig. 16.37.
missionary in Kasai region, before 1908; his widow, until 1967; Margaret Barton Plass, Philadelphia
Throughout the ages, public sculptures have served as didactic tools, offering moral, patriotic, and cultural instruction. Symbols of pride, they have proclaimed cities as tastemakers in civic and aesthetic matters.
Urban centers such as New York, Philadelphia, Washington, D.C., and Richmond aspired
Reproduction: © 2025 Artists Rights Society (ARS), New York Jean Charlot (French) Philadelphia
Philadelphia: INSTAP Academic Press, pp. 238-243, fig. 16.18-.22.
the artist, Gee’s Bend, Ala.; Essie Young, Gee’s Bend, Ala. (until 2000; in 2000 to Arnett); William S. Arnett, Atlanta (2000–2002; his gift in 2002 to Tinwood Alliance); Tinwood Alliance, Atlanta (2002–10; transfer in 2010 to Souls Grown Deep); Souls Grown Deep Foundation, Atlanta (2010–14; their gift to MMA)
Philadelphia Museum of Art.
1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Century CE: Proceedings of the 62nd Rencontre Assyriologique Internationale at Philadelphia
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
She gained Conservation experience at various institutions, including the Philadelphia
Belle Linsky Collection, as brazen, inept imitations of the excellent David in the Philadelphia
