Paris and New York, 1880–1978
1923 (1937), which featured Les Demoiselles d’Avignon, Man with a Guitar (1912; Philadelphia
Philadelphia: INSTAP Academic Press, pp. 221-261.
Marking: Annotated in pen and brown ink in a fifteenth-century hand at the lower right: Avanti; at the upper right: Fato (?); inscribed at the upper left, “Questo desegno fo de felixo,� (probably referring to an early fifteenth-century Veronese collector, Felice Feliciano, who owned the drawing)
Philadelphia, 2002, pp. 35, 140-141, no. R21.
In the late 1950s and early ’60s American photographers reinvented the documentary tradition once again. This time the subjective tradition that had emerged in the 1940s and early ’50s became a kaleidoscope through which photographers looked at the world.
Charlton Henry on a couch in her Chestnut Hill home, Philadelphia, Pa.
This exhibition tells the story of how the Museum built its comprehensive collection of Japanese art beginning in the early 1880s, when it owned just a small, eclectic array of Japanese decorative arts.
heightened interest in Japanese decorative arts in America, engendered in part by the Philadelphia
Philadelphia: INSTAP Academic Press, pp. 221-261. Bouillon, Hélène. 2014.
The first emigrants to New England brought books with them and continued to import printed materials directly from London.
Within a hundred years, its main city, Philadelphia, had 30,000 inhabitants.
Curator Stephan Wolohojian announces the hanging of the extraordinary Jabach portrait in gallery 617 following ten months of conservation work.
Ellie Ngo March 19 Video Considering the Philadelphia Table November 7, 2024
Philadelphia: INSTAP Academic Press, pp. 238-243, fig. 16.18-.22.
