John Singer Sargent – Study of a Young Man, Seated – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/360091
John Singer Sargent Ex. cat., The Corcoran Gallery of Art. 1964, cat. no. 161 (Philadelphia
Dein Suchergebnis zum Thema: Philadelphia
Furniture element with a monkey – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323576
Philadelphia: INSTAP Academic Press, pp. 221-261.
Benkard Room | The Metropolitan Museum of Art https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/benkard-room
This parlor comes from a house built in Petersburg, Virginia, in 1811, but prominently features furniture made in New York City from the same period. Like the nearby Baltimore and Haverhill Rooms, the Benkard Room exemplifies the popularity of Robert and James Adam’s Neoclassical taste in the young United States.
market, this verre églomisé image is based on a 1796 engraving by Edward Savage of Philadelphia
Mór Lipót Herzog (also Baron Herzog) – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/herzog-m
Budapest, 1869–Budapest, 1934
Angeles), Pierre-August Renoir’s Henriot Family (ca. 1875; The Barnes Foundation, Philadelphia
Honoré Lannuier, Cabinetmaker from Paris: The Life and Work of a French Ébéniste in Federal New York – The Metropolitan Museum of Art https://www.metmuseum.org/met-publications/honore-lannuier-cabinetmaker-from-paris-the-life-and-work-of-a-french-ebeniste-in-federal-new-york
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
for wealthy clients numbering among the mercantile and social elite of New York, Philadelphia
Marble relief fragment with gladiators – Roman – Imperial – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/254934
[until 1957, with Hesperia Art]; acquired in 1957, purchased from Hesperia Art, Philadelphia
Arthur Everett Austin, Jr. (called Chick) – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/austin
Brookline, Mass., 1900–Hartford, Conn., 1957
Notable works in the show included Self-Portrait with Palette (1906; Philadelphia
Auguste Rodin (1840–1917) – The Metropolitan Museum of Art https://www.metmuseum.org/essays/auguste-rodin-1840-1917
The increasingly erotic character of Rodin’s sculpture in the 1880s can be explained by his preoccupation with two highly charged literary sources. These were Dante’s Inferno and Baudelaire’s The Flowers of Evil.
The Sculpture of Auguste Rodin: The Collection of the Rodin Museum, Philadelphia.
Paintings Conservation Department Bibliography – The Metropolitan Museum of Art https://www.metmuseum.org/departments/paintings-conservation/bibliography
Bibliography of The Met’s Paintings Conservation department
The Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London
Veronese School, possibly a follower of Stefano da Verona (Stefano di Giovanni d’Arbosio di Francia) – Bearded Nude Male Figure Running Toward the Right – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/459180?exhibitionId=%7Bae20192b-5e81-4e7f-82b9-5136a6c60d78%7D&oid=459180&pkgids=447&pg=1&rpp=4&pos=3&ft=*&locale=en
Marking: Annotated in pen and brown ink in a fifteenth-century hand at the lower right: Avanti; at the upper right: Fato (?); inscribed at the upper left, “Questo desegno fo de felixo,� (probably referring to an early fifteenth-century Veronese collector, Felice Feliciano, who owned the drawing)
Philadelphia, 2002, pp. 35, 140-141, no. R21.