Budapest, 1869–Budapest, 1934
Angeles), Pierre-August Renoir’s Henriot Family (ca. 1875; The Barnes Foundation, Philadelphia
Philadelphia: INSTAP Academic Press, pp. 221-261.
Like the avant-garde artists who preceded them, these contemporary artists show how wordplay can be used as a means to address larger artistic, social, and political concerns.
New York: Praeger Publishers; Philadelphia: Philadelphia Museum of Art, 1970.
This parlor comes from a house built in Petersburg, Virginia, in 1811, but prominently features furniture made in New York City from the same period. Like the nearby Baltimore and Haverhill Rooms, the Benkard Room exemplifies the popularity of Robert and James Adam’s Neoclassical taste in the young United States.
market, this verre églomisé image is based on a 1796 engraving by Edward Savage of Philadelphia
Bibliography of The Met’s Paintings Conservation department
The Barnes Foundation, Philadelphia, and Yale University Press, New Haven and London
The increasingly erotic character of Rodin’s sculpture in the 1880s can be explained by his preoccupation with two highly charged literary sources. These were Dante’s Inferno and Baudelaire’s The Flowers of Evil.
The Sculpture of Auguste Rodin: The Collection of the Rodin Museum, Philadelphia.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
for wealthy clients numbering among the mercantile and social elite of New York, Philadelphia
[until 1957, with Hesperia Art]; acquired in 1957, purchased from Hesperia Art, Philadelphia
Brookline, Mass., 1900–Hartford, Conn., 1957
Notable works in the show included Self-Portrait with Palette (1906; Philadelphia
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
John Spanish ca. 1180 Leaf from a Beatus Manuscript: the Angel of the Church of Philadelphia
