Photographers used its growing influence to expose society’s evils, which the prosperous, self-indulgent Belle Époque chose to ignore: the degrading conditions of workers in big-city slums, the barbarism of child labor, the terrorism of lynching, the devastation of war.
Sheeler and Schamberg were both academically trained painters from Philadelphia who
Private Collection, Lenox, Massachusetts; by descent (for possibly a century) to a private collector; [Sotheby’s, New York American Paintings, Drawings and Sculpture Sale, December 4, 2013, Lot 65]; Michael Altman, New York, 2014
Oil Paintings Paper From North and Central America From Pennsylvania From Philadelphia
The Neoclassical style arose from first-hand observation and reproduction of antique works.
Philadelphia: Philadelphia Museum of Art, 2000. Ficacci, Luigi.
1840 Over-the-Shoulder bass saxhorn in E-flat Ernst Seltmann (Saxony 1828–1883 Philadelphia
Oklahoma, born Syracuse, New York, 1935) 2004 Edison Mazda Stuart Davis (American, Philadelphia
Antonello is one of the most fascinating geniuses of Italian painting. His career remains poorly documented, and the means by which he became adept at the Netherlandish technique remain somewhat conjectural
The two portraits that are usually considered earlier in date are in the Philadelphia
reportedly the parish church, Castelfranco di Sopra, near Florence (until late 18th century); the Baglioni family, villa Baglioni, Cerreto (late 18th century–about 1903); [Stefano Bardini, Florence, until 1903; probably sold for 115,000 lire through A
Harnisch, Philadelphia; attributes it to Filippo Lippi and dates it slightly before
New York, 1950–1999
Daniel first played for the Philadelphia Orchestra before moving to Chicago in 1930
Freeman Gallery, Philadelphia, June 20–24, 1944, no. 416); Irwin Untermyer (by
Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Johnson Collection and the Philadelphia Museum of Art.
