Robert Henri – Dutch Girl in White – American – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/19303
Returning to Philadelphia in 1891, he embarked on an influential teaching career.
Returning to Philadelphia in 1891, he embarked on an influential teaching career.
Signature: [On recto, annotated in pen and light brown ink at lower left:] di Michel Angelo bona RotiInscription: On verso, annotated in pen and brown ink at upper right: 58 Annotated by early 16th century hand at lower center, following the same numbering system of the Michelangelo drawings in the Buonarroti family: nº
possibly Andrea Procaccini (Italian); Aureliano de Beruete; Isabel de Regoyos Philadelphia
Photographers used its growing influence to expose society’s evils, which the prosperous, self-indulgent Belle Époque chose to ignore: the degrading conditions of workers in big-city slums, the barbarism of child labor, the terrorism of lynching, the devastation of war.
Sheeler and Schamberg were both academically trained painters from Philadelphia who
Philadelphia. Peale Galleries of the Pennsylvania Academy of the Fine Arts.
Search art at the Metropolitan Museum.
Emerald, Ruby and Enamel Brooch ca. 1870–1930 Books for the Bench The Keystone, Philadelphia
Hartford, Conn.,1906–Norwalk, Conn., 1979
first paintings, including Matisse’s The Red Sofa (1919–21; Barnes Foundation, Philadelphia
Podgorze, Poland, 1870–1952
artwork The Bride Stripped Bare by her Bachelors, Even (The Large Glass) (1915–23; Philadelphia
Paris, 1891–Paris, 1934
June 1921 and May 1923, Guillaume purchased Picasso’s Man with a Guitar (1912; Philadelphia
York 1874–1973 Framingham, Massachusetts) Publisher: Curtis Publishing Company (Philadelphia
York 1874–1973 Framingham, Massachusetts) Publisher: Curtis Publishing Company (Philadelphia