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Cardinal Pietro Bembo by Titian

https://www.nga.gov/artworks/41638-cardinal-pietro-bembo

Pietro Bembo (1470–1547) wears the red biretta and cape of a cardinal. At the time Titian painted this portrait, Bembo had recently been elevated to that status in honor of his service to the Church and his scholarly career, although the writer’s literary output was almost entirely secular.
Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere

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Venus and Adonis by Titian, Italian 16th Century

https://www.nga.gov/artworks/1223-venus-and-adonis

Venus, as if filled with foreboding about Adonis’s fate, desperately clings to her lover, while he pulls himself free of her embrace, impatient for the hunt and with his hounds straining at the leash. The goddess’s gesture is echoed by that of Cupid, who anxiously watches the lovers’ leave-taking while clutching a dove—a creature sacred to Venus.
Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere

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Ranuccio Farnese by Titian

https://www.nga.gov/artworks/41593-ranuccio-farnese

Ranuccio Farnese was 11 years old when Titian began to paint his portrait. Adult responsibility came to Ranuccio when he was still a child, as Titian brilliantly conveyed through the cloak of office, too large and heavy, sliding off the boy’s small shoulders.
Pitture italiane del rinascimento: catalogo dei principali artisti e delle loro opere

    Kategorien:
  • International
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