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Madame Moitessier by Jean-Auguste-Dominique Ingres

https://www.nga.gov/artworks/32696-madame-moitessier

When his friend Marcotte first suggested that Ingres paint Ines Moitessier, the wife of a financier and jurist, he demurred. Ingres changed his mind after being struck by her „terrible et belle tête“ (terrible and beautiful head.) The author Théophile Gautier described her as „Junolike,“ and Ingres presents her with the imposing remoteness of a Roman goddess.
Washington, D.C., 2000: 300-310, color repro. 2004 Hand, John Oliver.

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The Marquesa de Pontejos by Francisco Goya

https://www.nga.gov/artworks/92-marquesa-de-pontejos

Trees, grass, and shrubbery, simplified almost to abstraction, set off the fragile, wasp–waisted figure of María Ana de Pontejos y Sandoval, the Marquesa de Pontejos. Splendidly attired, she typifies those ladies of the Spanish aristocracy who affected the „shepherdess“ style of Marie Antoinette, so popular in pre–revolutionary France.
Madrid; National Gallery of Art, Washington, 2001-2002: no. 26. 2004 Hand, John Oliver

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