The Alba Madonna by Raphael https://www.nga.gov/artworks/26-alba-madonna
Renaissance artist Raphael was famous in his own time. It is easy to understand why.
Konemann, 1998: 76-77, repro. no. 97. 2004 Hand, John Oliver.
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Renaissance artist Raphael was famous in his own time. It is easy to understand why.
Konemann, 1998: 76-77, repro. no. 97. 2004 Hand, John Oliver.
Fragonard’s brushwork is as much the subject of this painting as the young woman. A flurry of rapid marks captures her blushing face.
Chicago, 2001: 70-71, color repro. 2004 Hand, John Oliver.
Rebecca went to the well outside her city and encountered a stranger who identified her as the answer to his prayers. The backstory, according to Genesis 24:11–22, is that the aged Abraham wanted a wife for his son Isaac and sent his senior steward to his homeland of Mesopotamia to find a suitable woman.
� Jahrbuch des Kunsthistorischen Museums Wien 1 (1999): 151. 2004 Hand, John Oliver
Filippino Lippi was the son of the painter Fra Filippo Lippi, who was undoubtedly the boy’s first master. After his father died in 1469, he became a pupil of Botticelli, who had a profound influence on his style.
New Haven and London, 2003: 2003: 233-237. 2004 Hand, John Oliver.
Seville’s most popular painter in the later 17th century was Bartolomé Esteban Murillo. While Murillo is well known for works with religious themes, he also produced a number of genre paintings of figures from contemporary life engaged in ordinary pursuits.
Chicago, 2001: 100-101, 212, color repro. 2004 Hand, John Oliver.
In the Low Countries, the Feast of Epiphany, or Twelfth Night, is known as Driekoningen (Three Kings). The Christian holiday is traditionally celebrated on January 6th with a festive meal at which friends and relatives gathered to eat, drink, and be merry.
Amsterdam, 1997: 95, 208, cat. 76, repro. 2004 Hand, John Oliver.
Crawford Notch, a deep valley in New Hampshire’s White Mountains, gained notoriety in 1826 when nine lives were lost in a catastrophic avalanche nearby. Cole’s painting depicts the site of an earlier landslide whose destruction prompted the victims—Mr.
Washington, D.C., 1996: 87-95, color repro. 2004 Hand, John Oliver.
This group portrait represents George Washington’s military, political, and family life. The president, in a Revolutionary War uniform, rests his hand on a plan for Washington, DC, the site for the new US capital.
Washington, D.C., 1995: 146-158, color repro. 147. 2004 Hand, John Oliver.
peacock’s beak, is complemented by an array of foods, including a roasted pheasant, olives
Washington, D.C., 2003: 70-74, color repro. 2004 Hand, John Oliver.