Dein Suchergebnis zum Thema: Olive

Commissioned for the Chapel of San José in Toledo by Martín Ramírez, a namesake of the saint and donor of the chapel, Saint Martin and the Beggar was part of one of the artist’s most successful ensembles. The saint, who lived during the reign of Constantine the Great, was a member of the imperial cavalry stationed near Amiens, in Gaul.
Painting in Spain, 1561-1828, New York, 1997, no. 27, repro. 2004 Hand, John Oliver

Joseph Mallord William Turner excelled at capturing the beauty and mysteries of light. Cool, white moonlight contrasts with warm, yellow and orange firelight.
Berkeley: University of California Press, 1997. 2004 Hand, John Oliver.

William Merritt Chase, an influential art teacher and one of the leading exponents of American impressionism, captured the genteel, privileged life of polite society in the 1890s. A Friendly Call , set in Chase’s elegant summer house at Shinnecock Hills, Long Island, shows two fashionably dressed women in a large, airy room decorated with prints, paintings, hanging textiles, and a large, gilt–framed mirror.
Washington, D.C., 1996: 55-60, color repro. 2004 Hand, John Oliver.

This could be a scene from a children’s book, but the story is a strange one. At first glance, everything looks ordinary.
Chicago, 2001: 30-31, color repro. 2004 Hand, John Oliver.

Roses was painted shortly before Van Gogh’s release from the asylum at Saint–Rémy. He felt he was coming to terms with his illness—and himself.
The Phillips Collection, Washington, 2001: 175, repro. 2004 Hand, John Oliver.

Painter Charles Willson Peale named many of his children for famous artists, including his sons Rembrandt and Rubens Peale. Rembrandt became an artist himself.
American Art Journal 33, nos. 1 and 2 (2002): 4-19, fig. 1. 2004 Hand, John Oliver

In this panel Bosch shows us the last moments in the life of a miser, just before his eternal fate is decided. A little monster peeping out from under the bed–curtains tempts the miser with a bag of gold, while an angel kneeling at the right encourages him to acknowledge the crucifix in the window.
New York, 1985: 205, 201 color pl. 36. 1986 Hand, John Oliver and Martha Wolff

Revue du Louvre 51, no. 2 (2001): 56-65, 58, repro. fig. 2. 2004 Hand, John Oliver

Dutch seventeenth-century artists drew their subject matter from all elements of society. The refinement of the wealthy burghers in the second half of the century was best captured by Gerard ter Borch the Younger.
New Haven, 2003: 296, fig. 138. 2004 Hand, John Oliver.

Like Jacques Onésime de Bergeret, Lalive de Jully (1725-79) was an influential collector, amateur, and painter in the Parisian art world of the 1750s and 1760s. One of Jean-Baptiste Greuze’s first patrons, Lalive is depicted seated on a chair he had commissioned as part of a suite of furniture à la grecque.
New Haven, 2002: 37, fig. 28. 2004 Hand, John Oliver.