Dein Suchergebnis zum Thema: Olive

The strength and vitality of the people who helped establish the new Dutch Republic are nowhere better captured than in the work of Frans Hals, who was the preeminent portrait painter in Haarlem, the most important artistic center of Holland in the early part of the seventeenth century. This unidentified sitter—one of Hals’ most impressive portraits—was sixty years old when the painting was made, according to the artist’s inscription.
Raleigh, 2002: 110-111, repro. 2004 Hand, John Oliver.

Washington, D.C., 1990: 124-127, repro. 123. 2004 Hand, John Oliver.

Painted in August 1907, Forty-two Kids depicts a band of nude and partially clothed boys engaged in a variety of antics—swimming, diving, sunbathing, smoking, and possibly urinating—on and near a dilapidated wharf jutting out over New York City’s East River. A sharp observer of urban life, George Bellows has sketched his streetwise subjects with characteristic vigor and economy of means, and he has carefully rendered their varied ethnic backgrounds.
Bibliography 1908 Oliver, Maude I. G. „Art News of the Week [exh. review].“

Painter Charles Willson Peale named many of his children for famous artists, including his sons Rembrandt and Rubens Peale. Rembrandt became an artist himself.
American Art Journal 33, nos. 1 and 2 (2002): 4-19, fig. 1. 2004 Hand, John Oliver

This could be a scene from a children’s book, but the story is a strange one. At first glance, everything looks ordinary.
Chicago, 2001: 30-31, color repro. 2004 Hand, John Oliver.

Roses was painted shortly before Van Gogh’s release from the asylum at Saint–Rémy. He felt he was coming to terms with his illness—and himself.
The Phillips Collection, Washington, 2001: 175, repro. 2004 Hand, John Oliver.

Oliver, “Art News of the Week,� Chicago Record-Herald, November 8, 1908, sec.

In 1775, Gilbert Stuart set sail for London where Benjamin West welcomed the destitute young man into his home. The Skater marks the end of his five-year apprenticeship to West.
Chicago, 1998: 2:586-588. 2004 Hand, John Oliver.

Rome, 1997: 187 – 192, fig. 2. 2004 Hand, John Oliver.

One of Domenico Veneziano’s major works is an altarpiece that he painted about 1445 for the Church of Santa Lucia dei Magnoli, in Florence. The incident illustrated in this small panel from the base of the altarpiece is John’s act of exchanging his rich, worldly clothes for a rough, camel–hair coat.
Washington, D.C., 2003: 241-250, color repro. 2004 Hand, John Oliver.