Dein Suchergebnis zum Thema: Olive

Completed in 1914, The Aero may have been the painting that Marsden Hartley described in a letter to his dealer, Alfred Stieglitz, the previous year: “I have one canvas ‘Extase d’Aéroplane’ if it must have a title—it is my notion of the possible ecstasy or soul state of an aéroplane if it could have one.� The artist was thrilled when he saw zeppelins, or huge airships, flying overhead.
New Haven, 2000: 250-251, color fig. 261. 2004 Hand, John Oliver.

Born in 1844 to a working-class family in Laval, France, Henri Rousseau worked briefly for a lawyer and served a stint in the military before taking a position at a French customs post in 1868; the nickname “ Le Douanier “ (the customs inspector) remained with him even after his retirement in 1893.
Louis, 1997: 146-147, 212, color repro. 2004 Hand, John Oliver.

This young woman sits at her dressing table arranging her hair. She is looking at herself in a mirror just outside the frame.
National Gallery of Art, Washington, 1992: 40, repro. 2004 Hand, John Oliver.

National Gallery of Art, Washington, 1985: 32, repro. 1986 Hand, John Oliver and

Valentin de Boulogne was born near Boulogne (from whence he takes his last name) in Picardy. He came from a family of artists, but little else is known of his early life and training.
Milan, 1989: 58. 2004 Hand, John Oliver.

Ginevra de‘ Benci’s portrait is two-sided. This is the back, an emblematic portrait of Ginevra.
New Haven, 2000: 8-9, fig. 3. 2004 Hand, John Oliver.

Around the turn of the 17th century, a number of Flemish painters presented sumptuous tabletop still lifes to delight the viewer, and none surpassed Osias Beert. The carefully crafted objects and expensive delicacies that he depicted celebrate a world of abundance and beauty in a style that shows off Beert’s mastery of textural effects and realistic detail.
Rijksmuseum, Amsterdam; Cleveland Museum of Art, 1999: 73-85. 2004 Hand, John Oliver

Information on this painting can be found in the Gallery publication American Paintings of the Eighteenth Century , pages 265-266, 268-270, and 273, which is available as a free PDF https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-18th-century.pdf
Boston, 1940: 69. 1967 Oliver, Andrew. Portraits of John and Abigail Adams.

New Haven and London, 2002: 31-39, fig. 11. 2004 Hand, John Oliver.

Washington, D.C., 1992: 344-350, repro. 347. 2004 Hand, John Oliver.