Honoré Daumier | National Gallery of Art https://www.nga.gov/artists/1209-honore-daumier
Discover works by Honoré Daumier and learn about the artist
Victoria and Albert Museum, London, 1961. 1966 Larkin, Oliver W.
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Discover works by Honoré Daumier and learn about the artist
Victoria and Albert Museum, London, 1961. 1966 Larkin, Oliver W.
Jan van Huysum’s lasting fame centers on his exuberant arrangements and technical virtuosity. More than any other artist before or after, he was able to capture the dynamic energy of a profuse array of flowers and fruit.
Houston, 2000: 50-51, repro. 2004 Hand, John Oliver.
Around the turn of the 17th century, a number of Flemish painters presented sumptuous tabletop still lifes to delight the viewer, and none surpassed Osias Beert. The carefully crafted objects and expensive delicacies that he depicted celebrate a world of abundance and beauty in a style that shows off Beert’s mastery of textural effects and realistic detail.
Rijksmuseum, Amsterdam; Cleveland Museum of Art, 1999: 73-85. 2004 Hand, John Oliver
A popular subject in Counter–Reformation Italy and Spain, Ribera’s profoundly moving work portrays the apostle’s final moments before he is to be flayed alive. The viewer is meant to empathize with Bartholomew, whose body seemingly bursts through the surface of the canvas, and whose outstretched arms embrace a mystical light that illuminates his flesh.
Washington, D.C., 1996: 214-218, color repro. 215. 2004 Hand, John Oliver.
Washington, D.C., 2000: 126-130, color repro. 2004 Hand, John Oliver.
This young woman sits at her dressing table arranging her hair. She is looking at herself in a mirror just outside the frame.
National Gallery of Art, Washington, 1992: 40, repro. 2004 Hand, John Oliver.
Washington, D.C., 1992: 97-99, color repro. 99. 2004 Hand, John Oliver.
Degas is famous for his depictions of ballerinas. This painting is one of his most perplexing examples.
New York Times (September 2, 1999): C1, C3. 2004 Hand, John Oliver.
Chicago and London, 1998: 1:370. 2004 Hand, John Oliver.
In One Year the Milkweed , one of several so-called color veil paintings Gorky made in 1944, films of paint have been washed unevenly across the canvas, and evocative but indistinct forms have been brushed in. Overall green and brown hues suggest a landscape, but there are no identifiable landscape forms and no spatial recession.
Buffalo; Modern Art Museum of Fort Worth, 1995-1996: no. 8. 2004 Hand, John Oliver