The Artist and His Mother by Arshile Gorky https://www.nga.gov/artworks/56935-artist-and-his-mother
New Haven, 2000: 264. 2004 Hand, John Oliver.
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New Haven, 2000: 264. 2004 Hand, John Oliver.
Cezanne was deeply attached to Provence, the region in southern France where he was born and raised. He often painted its sundrenched terrain.
zanne, a la recherche de l’absolu, Japan, 1997, p. 70-71, repro. 2004 Hand, John Oliver
New York, 1991: 190, repro. 2004 Hand, John Oliver.
Washington, D.C., 1992: 39-41, color repro. 41. 2004 Hand, John Oliver.
As the oldest son of Charles Willson Peale, Raphaelle Peale was the first in a dynasty of painters and botanists burdened by the names of famous artists and scientists that their father admired. In the first history of American art, published nine years after Raphaelle Peale’s death and one of the very few notices taken of him, William Dunlap wrote that Peale, like his father, was „a painter of portraits in oil and miniature, but excelled more in compositions of still life.
Bibliography 2004 Hand, John Oliver.
Heade offered viewers an intimate glimpse into the exotic recesses of nature’s secret garden. Lichen covers dead branches;
Washington; Los Angeles County Museum of Art, 1999-2000: no. 57. 2004 Hand, John Oliver
Wearing nearly matching outfits, Henry, George, and John Westwood look out from the canvas. The brothers all have fair, wispy hair and delicate facial features.
National Gallery of Art, Washington, 1992: 214, repro. 2004 Hand, John Oliver.
In 1909, Hamilton Easter Field, a Brooklyn painter and critic, asked Picasso to create a group of eleven paintings as a decoration for his library. Picasso accepted but, although he worked on the commission intermittently over the next several years, he never completed all eleven of the panels.
National Gallery of Art, Washington, 1992: 255, repro. 2004 Hand, John Oliver.
Wright’s artistic interests varied widely, ranging from portraiture and scientific topics in his early „candlelight“ period to popular subjects, romantic history, literature, and landscapes in later years. This painting dates from the end of Wright’s career.
National Gallery of Art, Washington, 1992: 153, repro. 2004 Hand, John Oliver.
National Gallery of Art, Washington, 1992: 176, repro. 2004 Hand, John Oliver.