Meintest du oliver?
Wearing nearly matching outfits, Henry, George, and John Westwood look out from the canvas. The brothers all have fair, wispy hair and delicate facial features.
National Gallery of Art, Washington, 1992: 214, repro. 2004 Hand, John Oliver.
In 1909, Hamilton Easter Field, a Brooklyn painter and critic, asked Picasso to create a group of eleven paintings as a decoration for his library. Picasso accepted but, although he worked on the commission intermittently over the next several years, he never completed all eleven of the panels.
National Gallery of Art, Washington, 1992: 255, repro. 2004 Hand, John Oliver.
In 1883 Monet moved his household, his two sons along with Alice Hoschedé and her children, to the rural community of Giverny, where he leased a house that he was able to purchase seven years later. In early 1893, he acquired a swampy area across the railroad tracks abutting his property and petitioned the village council for permission to divert a small stream into it.
Studies in the History of Art 41 (1993): repro. 156. 2004 Hand, John Oliver.
New Haven, 2000: 264. 2004 Hand, John Oliver.
Cezanne was deeply attached to Provence, the region in southern France where he was born and raised. He often painted its sundrenched terrain.
zanne, a la recherche de l’absolu, Japan, 1997, p. 70-71, repro. 2004 Hand, John Oliver
New York, 1991: 190, repro. 2004 Hand, John Oliver.
Washington, D.C., 1992: 39-41, color repro. 41. 2004 Hand, John Oliver.
As the oldest son of Charles Willson Peale, Raphaelle Peale was the first in a dynasty of painters and botanists burdened by the names of famous artists and scientists that their father admired. In the first history of American art, published nine years after Raphaelle Peale’s death and one of the very few notices taken of him, William Dunlap wrote that Peale, like his father, was „a painter of portraits in oil and miniature, but excelled more in compositions of still life.
Bibliography 2004 Hand, John Oliver.
Wright’s artistic interests varied widely, ranging from portraiture and scientific topics in his early „candlelight“ period to popular subjects, romantic history, literature, and landscapes in later years. This painting dates from the end of Wright’s career.
National Gallery of Art, Washington, 1992: 153, repro. 2004 Hand, John Oliver.
National Gallery of Art, Washington, 1992: 176, repro. 2004 Hand, John Oliver.
