Mountains at Collioure by André Derain https://www.nga.gov/artworks/61250-mountains-collioure
Paris, 1992: no. 64, 38, repro., as Paysage de Collioure. 2004 Hand, John Oliver
Meintest du oliver?
Paris, 1992: no. 64, 38, repro., as Paysage de Collioure. 2004 Hand, John Oliver
The salt we see in 17th-century still lifes was central to the Dutch economy—and Dutch colonialism.
presentation piece, complete with pink rose in the peacock’s beak, are a cooked bird, olives
Discover works by Honoré Daumier and learn about the artist
Victoria and Albert Museum, London, 1961. 1966 Larkin, Oliver W.
Wright’s artistic interests varied widely, ranging from portraiture and scientific topics in his early „candlelight“ period to popular subjects, romantic history, literature, and landscapes in later years. This painting dates from the end of Wright’s career.
National Gallery of Art, Washington, 1992: 153, repro. 2004 Hand, John Oliver.
National Gallery of Art, Washington, 1992: 176, repro. 2004 Hand, John Oliver.
Sigamos, Lecturas Literarias y Culturales. 1998: 46, repro. 2004 Hand, John Oliver
Wearing nearly matching outfits, Henry, George, and John Westwood look out from the canvas. The brothers all have fair, wispy hair and delicate facial features.
National Gallery of Art, Washington, 1992: 214, repro. 2004 Hand, John Oliver.
Heade offered viewers an intimate glimpse into the exotic recesses of nature’s secret garden. Lichen covers dead branches;
Washington; Los Angeles County Museum of Art, 1999-2000: no. 57. 2004 Hand, John Oliver
In 1909, Hamilton Easter Field, a Brooklyn painter and critic, asked Picasso to create a group of eleven paintings as a decoration for his library. Picasso accepted but, although he worked on the commission intermittently over the next several years, he never completed all eleven of the panels.
National Gallery of Art, Washington, 1992: 255, repro. 2004 Hand, John Oliver.
In 1883 Monet moved his household, his two sons along with Alice Hoschedé and her children, to the rural community of Giverny, where he leased a house that he was able to purchase seven years later. In early 1893, he acquired a swampy area across the railroad tracks abutting his property and petitioned the village council for permission to divert a small stream into it.
Studies in the History of Art 41 (1993): repro. 156. 2004 Hand, John Oliver.