Robert Campin | National Gallery of Art https://www.nga.gov/artists/5526-robert-campin
Discover works by Robert Campin and learn about the artist
Klasse der Schone Kunsten 41 (1980): 3-14. 1986 Hand, John Oliver and Martha Wolff
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Discover works by Robert Campin and learn about the artist
Klasse der Schone Kunsten 41 (1980): 3-14. 1986 Hand, John Oliver and Martha Wolff
Discover works by Jan van Eyck and learn about the artist
Antwerp, 1980. 1986 Hand, John Oliver and Martha Wolff.
Discover works by Joris Vezeleer and learn about the artist
Annalen 63 Congres Sint-Niklaas-Waas 1974: 326-334. 1986 Hand, John Oliver and
In The Crucifixion with the Converted Centurion , Lucas Cranach the Elder chose to portray a scene of religious redemption. The crucified Christ, silhouetted against a darkened and troubled sky, is at the point of death;
Washington, 1992: 54-55, 68, color repros. 1993 Hand, John Oliver, with the assistance
Download a PDF of the 1993 systematic catalogue German Paintings of the Fifteenth through Seventeenth Centuries.
publication German Paintings of the Fifteenth and Seventeenth Centuries By John Oliver
Download a PDF of the 1986 systematic catalogue Early Netherlandish Painting.
Advanced Artwork Search publication Early Netherlandish Painting By John Oliver
After the Reformation had brought social and political upheaval to Germany, creating an unfavorable climate for artists, Holbein moved to England in 1526. He first painted for Sir Thomas More’s circle of high servants of the crown and then became painter to the King himself, Henry VIII.
2] The Earl of Arundel’s portrait of Edward VI was copied in miniature by Peter Oliver
Peter Paul Rubens’s enormous painting, based on the Old Testament story of Daniel, puts us right in the lions’ den. The Jewish youth was condemned to spend the night with the brutal beasts for worshipping his God rather than the Persian king Darius.
[1] See Oliver Millar, The Tudor, Stuart and Early Georgian Pictures in the Collection
This study brings together leading scholars from Europe and the United States to consider the art of Hans Holbein the Younger from a variety of perspectives and disciplines.
November 10, 2001 Page count: 252 Read on JSTOR Edited by Mark Roskill and John Oliver
A note of ambiguity or unease often gives a piquant quality to German adaptations of the Renaissance ideal. Cranach’s painting of a classical nymph represents an Italian theme but gives it a moralizing twist common to late Gothic courtly and amorous subjects.
National Gallery of Art, Washington, 1992: 71, repro. 1993 Hand, John Oliver,