Dein Suchergebnis zum Thema: Olive

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Beaker with Relief-cut Decoration – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/452522

Cup (no. 65.172.1) and Beaker (no. 1974.45)Inevitably, the immediate models used by Iranian glassmakers following the advent of Islam came from their Sasanian heritage, which in turn had developed from a centuries-long distinctive and individual artistic tradition in the geographical area of Greater Iran
Prudence Oliver [Harper]. „Islamic Relief Cut Glass: A Suggested Chronology.“

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Raphael (Raffaello Sanzio or Santi) – The Agony in the Garden – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437371

the convent of Sant’Antonio da Padova, Perugia (until 1663; sold to Christina); Christina, former Queen of Sweden, Rome (1663–d. 1689; unnum. inv., ca. 1689); Cardinal Decio Azzolino, Rome (d. 1689); his nephew, marchese Pompeo Azzolino, Rome (1689–96; sold to Odescalchi); principe Livio Odescalchi, duca di Bracciano, Rome (1696–d
Distressed Peasantry of France . . .,“ [1871], no. 129 (as „Christ on the Mount of Olives

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
John Oliver Hand. „New York.

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