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Petrus Christus – Head of Christ (Ecce Homo) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435897

The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Painting: This mesmerizing image of Christ derives from the Gospels of Mark (15: 17–18) and John (19: 1–5) wherein Jesus was beaten, crowned with thorns, and dressed in a purple robe, subsequently to be presented by Pilate to the jeering crowd of Jews with the words „Ecce Homo“ (Behold the man)
John Oliver Hand.

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Anthony van Dyck – James Stuart (1612–1655), Duke of Richmond and Lennox – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436252

James Stuart was a loyal supporter of his cousin Charles I and served in high posts at court, such as Gentleman of the Bedchamber and Lord Steward of the Household. He was installed as Knight of the Garter on November 6, 1633, and in 1641 was created Duke of Richmond
Oliver Millar. „Van Dyck at Genoa.“

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Master of Saint Augustine – Scenes from the Life of Saint Augustine of Hippo – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471903

Brownlow Cecil, 9th Earl of Exeter, Burghley House, near Stamford, Northamptonshire (by 1847) ; William Alleyne Cecil, 3rd Marquis of Exeter 1825–1895, Burghley House, near Stamford Northamptonshire (until 1888) ; Marquis of Exeter sale, Christie, Manson & Woods, London (June 9, 1888, no
Hand, John Oliver. „New York.

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Workshop of Robert Campin – Annunciation Triptych (Merode Altarpiece) – Netherlandish – The Metropolitan Museum of Art

https://www.metmuseum.org/Collections/search-the-collections/470304

Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Hand, John Oliver. „New York.

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Renaissance Revival Room | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/renaissance-revival-room

The Renaissance Revival Room comes from the „princely mansion“ built for Jedediah Wilcox and his wife Henrietta. This fashionable rear parlor, or sitting room, with its coordinating architectural details and richly ornamented decoration, includes its original suite of furniture.
From Oliver Payson Fuller’s History of Warwick, Rhode Island (1875) Like many nineteenth-century

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