Archetypa studiaque patris Georgii Hoefnagelii [Part 1, Plate 5] by Jacob Hoefnagel https://www.nga.gov/artworks/226452-archetypa-studiaque-patris-georgii-hoefnagelii-part-1-plate-5
Art for the Nation no. 68 (Spring 2024): 16, repro.
Art for the Nation no. 68 (Spring 2024): 16, repro.
Vlaminck is often portrayed as the most unruly painter of the fauve school, an impression that reflects both on his personality (as it is revealed in his biography and writings) and his work. A self-taught artist, Vlaminck insisted that painting should be the unmediated expression of an artist’s temperament, „emotive, tender, ferocious, as natural as life itself.“ [1] Indeed, having been an anarchist sympathizer during the prewar period, he would later link the strident colorism and bold brushwork of his work to social and political dissent, a connection that was actually made by several art critics.
Weiss, published in the National Gallery of Art exhibition catalogue, Art for the Nation
Temple 2023 Kay WalkingStick Associated Names Kay WalkingStick Artist, Cherokee Nation
Exhibition History 1991 Art for the Nation: Gifts in Honor of the 50th Anniversary
America’s National Gallery of Art: A Gift to the Nation.
Art for the Nation no. 68 (Spring 2024): 32-33, repro.
paintings, prints, drawings, and sculptures they have already presented to the nation
Rick Lowe, artist and community organizer, takes us to his home in the 3rd ward of Houston, Texas.
contemporary artists and the connections between their work, their communities, and the nation
This exhibition brings together the work of a generation of British photographers of the 1970s and 1980s like Vanley Burke, Pogus Caesar, Anna Fox, Paul Graham, Sunil Gupta, Chris Killip, Sirkka-Liisa Konttinen, Martin Parr, and others.
Together, they photographed a nation redefining what it meant to be British and,
It’s Sunday—but nothing can mar the beauty of this crisp Spring morning. The scene takes place in a little country house—which is filled with the merriment of a weekend party—of one—rather two—for the moment I had forgotten the stove which gives out a welcome warmth from its red opening….One of the characters (the one which is not smoking) light[s] a Benson &
Greenough, published in the National Gallery of Art exhibition catalogue, Art for the Nation